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I've always been interested in arrival, and coming to a space, and even to looking back at where you were.
I've always loved airplanes and flight. The space program was really important to me as a kid. I still have a photo of Armstrong and Aldrin on the moon in my living room.
For me, it's always this constant battle and search when I'm out on stage as to where and when do I really open myself up to the people that are there. How do I let myself feel present in the space, and how do I allow myself to get into the music and interact with the band members.
I spend the entire 90 minutes looking for space on the pitch. I'm always between the opposition's two holding midfielders and thinking, 'The defence is here, so I get the ball and I go there to where the space is.'
As always, space remains an unforgiving frontier, and the skies overhead will surely present obstacles and setbacks that must be overcome. But hard challenges demand fresh approaches, and I'm optimistic that Stratolaunch will yield transformative benefits - not only for scientists and space entrepreneurs, but for all of us.
The people you see in Nigeria today have always lived as neighbors in the same space for as long as we can remember. So it's a matter of settling down, lowering the rhetoric, the level of hostility in the rhetoric is too high.
When I look at a football pitch, I suppose, yes, I see it as my canvas. I see solutions, possibilities, the space to express myself. I am always looking for ways to be creative, to gain an edge.
For me, the Earth had always been a kind of a safe haven, you know, where I could go to work or be in my home or take my kids to school. But I realized it really wasn't that. It really is its own spaceship. And I had always been a space traveler.
I start from one point and go as far as possible. But, unfortunately, I never lose my way. I 'localize,' which is to say that I think always in a given space. I rarely think of the whole of a solo, and only very briefly. I always return to the small part of the solo that I was in the process of playing.
On flights, I cannot travel economy class, as I am too huge to fit into that space. I always have to travel business class.
'2001: A Space Odyssey' is a movie that really impressed me as a teenager. And also 'Blade Runner.' And 'Close Encounters of the Third Kind' is also one of my favorites. I'm always looking for sci-fi material, and it's difficult to find original and strong material that's not just about weaponry.
The solar probe is going to a region of space that has never been explored before. It's very exciting that we'll finally get a look. One would like to have some more detailed measurements of what's going on in the solar wind. I'm sure that there will be some surprises. There always are.
Bollywood has always pampered heroes and treated actors as second class citizens. But, of late, it has realised that there has to be space for actors who can connect with people.
Our preoccupation has always been to craft space in such a way as to induce social interactions that would in turn generate a sense of community and a culture, but starting from the very immediate issue of how action influences perception.
Most architects think in drawings, or did think in drawings; today, they think on the computer monitor. I always tried to think three dimensionally. The interior eye of the brain should be not flat but three dimensional so that everything is an object in space. We are not living in a two-dimensional world.
I think we always view people who make us feel uncomfortable and appear to intrude on our middle-class cozy space, we view them with, if not hostility, at least suspicion, discomfort, embarrassment.
Why not a space flower? Why do we always expect metal ships?
In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you treat music properly, but it doesn't always happen this way. Music is often blamed, but it's not its fault.
And as a writer, one of the things that I've always been interested in doing is actually invading your comfort space. Because that's what we're supposed to do. Get under your skin, and make you react.
I always begin a room with the rug; it is literally the foundation of the space. I then go on to the furniture.
Cyber security is a dynamic space. The user faces different challenges every year because there are always new applications and data.
From journalism I learned to write under pressure, to work with deadlines, to have limited space and time, to conduct and interview, to find information, to research, and above all, to use language as efficiently as possible and to remember always that there is a reader out there.
There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot.
Life can be less mysterious than we make it out to be when we try to think about how it would be on other planets. And if we remove the mystery of life, then I think it is a little bit easier for us to think about how we live, and how perhaps we're not as special as we always think we are.
Education is the most powerful tool for everything but certainly to create opportunities for yourself, and I know that not everyone has the privilege of an education like here in America.
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