I'm a fan of daytime drama; I totally get it. When we are doing scenes that are romantic or will get the audience riled up, I feel like I'm a fan in the room going, 'People are going to be so mad right now!'

And even Moonstruck - for some reason the audience were just in the mood for a very romantic film, because it's one of the few romantic comedies to be nominated for a Best Picture Oscar.

As an actor, I've grown considerably. It's taken me years to get comfortable doing a romantic scene and dancing on stage in front of a live audience. I've really opened up a lot.

In the West, audiences think I am a stereotyped action star, or that I always play hitmen or killers. But in Hong Kong, I did a lot of comedy, many dramatic films, and most of all, romantic roles, lots of love stories. I was like a romance novel hero.

The audiences know their actors. Didn't Shah Rukh Khan have a romantic image despite playing a dad in 'Kuch Kuch Hota Hai?'

If you look at romantic comedies as pieces of commerce, the audience is looking for wish fulfillment.

You could argue that 'Sweeney Todd' was romantic, if you looked closely at it, but it didn't impart that to its audiences. But it's large, and it's melodramatic, and it's a style I like to work in periodically.

Good romantic suspense can never underestimate the audience, and the best political leaders know how to shape a compelling narrative that respects voters and paints a picture of what is to come.

Treat the audience with respect and maturity, and have a certain faith in them to catch up.

If you respect the audience and on stage you put on a disguise, that is part of the show.

I think Lady Gaga is talented. Madonna is talented, and the flair that Michael Jackson had. He was talented! Whatever it is that they do, they must be doing something right. They do have an audience out there, so I respect that.

I never wrote for children. I wrote with respect for the audience, which I've maintained all my life. Doesn't mean I couldn't be risque, but I did it smartly, without being vulgar.

I've learned over the years that you're going to be most successful at the things you're most excited to do. Every artist has a special set of tools. When you really use those tools, and you make yourself feel really good about the product you create, I think you'll find an audience for it. I've been very fortunate in that respect.

I have a lot of respect for people who are great at ad-libbing and for writers and directors who are able to create a scene in which that works. Judd Apatow is fantastic at it. But as an audience member, I like the sound of something that's been written - I like it to sound written.

I don't think Roman Reigns should for one moment of his life be worrying about earning the respect of the WWE audience. Because what he has is their willingness to pay to see Roman Reigns whether they respect him or not.

If I wouldn't offend my religion or God, why would I want to offend an audience because in effect those people are being watched over by the same person.

You know, we're not on stage, we're not doing a play, so we don't have a relationship with the audience but going through that process and also just hearing how much people love the film, you feel like you do have a relationship with the audience.

For me, social media is a one-way deal. It's like all the traffic goes one direction and I don't care how many people follow me, I don't care how many people like what I do, give me a thumbs up or whatever it is. I am here to share a piece of information that I've decided is relevant to our relationship as musician and audience member.

The film depends on the audience's belief in this relationship.

You ask for your audience's investment in your music; you're in a relationship with them. And their relationship with the E Street Band is separate from whatever else I might do. I like the idea of us being something that people rely on.

'Frozen' definitely isn't about a man, but about the relationship between two sisters. At different times in our lives we find ourselves either more connected to or disconnected from the people in our family, and I think audiences will really be able to relate to that.

I feel like I've built up this persona of always being positive and always being happy, and I worried if my audience sees me not in that light, will they think less of me? Will they discredit me? Will I just be nothing?

Oftentimes, when we think of 3D, we think of things coming out of the screen, but actually, you've got this zero, this negative space, what they call the negative space, which is the scene, what's being filmed in the positive space of the audience. As you can have things come out, you can have all of this depth.

The world is a slightly better place for having improvisation in it than it was before. There's something about it that says something positive about the human spirit, that a bunch of people can get together and by following a few simple traffic rules can create art and can entertain an audience and can thrill and exalt each other.