I believe in freedom of speech, but I believe we should also have the right to comment on freedom of speech.

I have always maintained a high level of fitness, and that is why I am still able to handle the demands of playing in the Premiership. People have always commented on my fitness, and it's something I pride myself on.

Because I spent many years during my previous life as an academic researching game theory, some commentators rushed to presume that as Greece's new finance minister, I was busily devising bluffs, stratagems and outside options, struggling to improve upon a weak hand. Nothing could be further from the truth.

I've a great family, two children to take care of. Then, of course, I do commentary for TV. I do speak about various women's issues around the world - like LGBT, motivational speeches. I have a lot on my plate right now. But eventually, yes, I would like to pass on the knowledge and something that I would like to do.

As my audience grew more diverse, I started interjecting social justice advocacy and commentaries about LGBT equality, and it just kept growing more.

Being a club pro and all, a guy trying to keep up with golf's modern technology, I hadn't found much time for Internet dating, but then one day I knew I'd met the girl of my dreams when she replied to a comment I'd made on You-and-Me.com. She said, 'I love it when you talk equipment to me.'

'Dating Game' wasn't social commentary, political analysis, Shakespearean-level drama or even blunt-force comedy. It was just the televised equivalent of meeting someone at a bar. But it appealed to our most basic Darwinian instinct: selecting a good mate. You can't go wrong when a show's premise is hard-wired into human DNA.

I don't really comment on my personal life because I feel like any comment at all is opening up a whole can of worms. I'd just rather not talk about who I'm dating.

I'm cool under pressure. Cool as a cucumber, actually, eerily so. My friends and family comment on it. I think I get it from my father, the quintessential smooth operator.

There are times that I see comments on Instagram and Twitter - if you are bashing my character on television, that is fine. I am totally cool with that. I'm a bad guy for a reason. You are supposed to hate me, but when you disrespect me or my work or myself as a character as me personally, that is not okay.

Beatbullying's 'The Big March 2012' is such a brilliant campaign and I am very proud to be a part of it. I have been a victim of cyber bullying myself and I know firsthand just how hurtful it can be. People think that they can hide behind computers and send nasty and hurtful comments to people, and this is wrong.

People know what authentic communication feels like, so having someone else handle your social media/commenting doesn't feel honest to me.

Anonymous blog comments, vapid video pranks and lightweight mash-ups may seem trivial and harmless, but as a whole, this widespread practice of fragmentary, impersonal communication has demeaned personal interaction.

It's a sad commentary on our time - to use a phrase much favored by my late father - that people increasingly celebrate Christmas Day by going to the movies.

People speak about diversity and representation like the world is ready. But when it actually happens, people can't take change. They can't deal with it. Which is why we have things like cyberbullying, which is why people will send you nasty DMs, say nasty things in your comments. Because they're just not dealing with it, they're not ready.

I'm a car fanatic and each morning I wake up with a smile on my face, whether I'm commentating on the Formula One or at Silver Hatch racetrack in Roary the Racing Car.

Stephen A. Smith is the hardest-working man in sports show business. The ubiquitous basketball pundit appears on ESPN about 10 times a day as a regular on the show 'NBA Fastbreak,' a guest commentator on 'Sports Center,' and a pundit on 'ESPNEWS.'

Sculpture is the best comment that a painter can make on painting.

Over the years, I've become barraged by comments from people, such as, 'Beam me up, Scotty!' and I became defensive. I felt they were derisive and engendered an attitude. I am grateful for the success, but didn't want to be mocked.

The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience - more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.

When I grew up, in the time of 'Look Back in Anger,' the theatre was very exciting, a place where you felt that social comment could lead to social change.

Once in a while, I still witness occasionally sexist behavior and comments from men (which experience has taught me you should always deflect with humour rather than anger). Old habits die hard, after all, and it's unrealistic to expect dinosaurs to fall silent overnight.

Chekhov was capable of casually tossing off deplorable comments in his letters, combined with a very modern anger against anti-Semitism.

There was once a caustic comment from someone suggesting I was breeding a new race. Fans from different countries have married, amazing things like that. I've been to some of the weddings. I went to one here the other day, a pagan ceremony.