In true dialogue, both sides are willing to change.

I've got a role in the new Billy Bob Thornton movie that Billy Bob wrote and is going to direct called 'Jayne Mansfield's Car.' I only have four scenes, but I have as much dialogue as anybody in the movie.

I like actors that are good with pantomime and that can transmit a lot by their presence and attitude more than through their dialogue.

Religion is the everlasting dialogue between humanity and God. Art is its soliloquy.

The dialogue between client and architect is about as intimate as any conversation you can have, because when you're talking about building a house, you're talking about dreams.

The anniversary of the tragic attacks on September 11, 2001, and September 11, 2012, is a day to remember those who died and suffered. It is also an opportunity to open a new dialogue on the tactics and strategies that have been successful - and unsuccessful - in confronting, containing, and defeating the threat from radical Islam.

A song is about heartbreak - but what are the constituent feelings? What are the aspects? There is anger, there is guilt, there are all these different things. I guess putting those voices into dialogue together just felt real.

I write description in longhand because that's hardest for me and you're closer to the paper when you work by hand, but I use the typewriter for dialogue because people speak like a typewriter works.

[A]lways get to the dialogue as soon as possible. I always feel the thing to go for is speed. Nothing puts the reader off more than a big slab of prose at the start.

In singing our song, in telling our story, in inviting you to say 'Hey, listen to me, and i'll listen to you', we're starting a dialogue. And when you do that, this healing happens, and we come out of our corners, and we start to witness each other's common humanity. We start to assert it. And when we do that, really good things happen

You want practical assessments for easy to swallow logics that repeat the same old dialogue that doesn't cross the border of your comfort zone. Yet those limits reduce your intellect until it's been self-tailored to dance with the other puppets on societies string.

Perception can be one-sided or variant: "Glass half empty or half full." There usually is more than one way of perceiving. Thoroughly check your inner dialogue.

I like to work in watercolor, with as little under-drawing as I can get away with. I like the unpredictability of a medium which is affected as much by humidity, gravity, the way that heavier particles in the wash settle into the undulations of the paper surface, as by whatever I wish to do with it. In other mediums you have more control, you are responsible for every mark on the page - but with watercolor you are in a dialogue with the paint, it responds to you and you respond to it in turn. Printmaking is also like this, it has an unpredictable element. This encourages an intuitive response, a spontaneity which allows magic to happen on the page. When I begin an illustration, I usually work up from small sketches - which indicate in a simple way something of the atmosphere or dynamics of an illustration; then I do drawings on a larger scale supported by studies from models - usually friends - if figures play a large part in the picture. When I've reached a stage where the drawing looks good enough I'll transfer it to watercolor paper, but I like to leave as much unresolved as possible before starting to put on washes. This allows for an interaction with the medium itself, a dialogue between me and the paint. Otherwise it is too much like painting by number, or a one-sided conversation.

I was kind of excited to go to jail for the first time and I learnt some great dialogue.

"[Dialogue between Solon and an Egyptian Priest]

Ego is like cyanide. Instantly kills dialogue. Always needs to be kept satisfied.

I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)... 'I spoke to three scholars,' [the character says 'at last.'] ...two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]' ...I can see that he's excited. [narrator]' ...Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a 'literary' writer based on this quote. A 'literary' author knows that a character's excitement should be 'shown' in his or her dialogue and not in the narrator's commentary on it. Advice for Coelho: Remove the 'I can see that he's excited' sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho ... Just think! He is a man who has achieved, (as Leonard Cohen would call it), 'a remote human possibility.' He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation-none other than an interest in being born again as somebody else-suggests that he is not happy!

The president of the United States has claimed, on more than one occasion, to be in dialogue with God. If he said that he was talking to God through his hairdryer, this would precipitate a national emergency. I fail to see how the addition of a hairdryer makes the claim more ridiculous or offensive.

It must not be forgotten that reason too needs to be sustained in all its searching by trusting dialogue and sincere friendship. A climate of suspicion and distrust, which can beset speculative research, ignores the teaching of the ancient philosophers who proposed friendship as one of the most appropriate contexts for sound philosophical enquiry.

Non-judgment quiets the internal dialogue, and this opens once again the doorway to creativity.

Honesty and openness is always the foundation of insightful dialogue.

Millions of people are suffering: they want to be loved but they don't know how to love. And love cannot exist as a monologue; it is a dialogue, a very harmonious dialogue.

Novels are the Socratic dialogues of our time. Practical wisdom fled from school wisdom into this liberal form.

Various channels of dialogue must be kept open to build trust. I will meet North Korea's leader if it is needed to develop relations between the two Koreas.