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It's easier to write from my own life, and it's also more fun. I always write about relationships, for instance, whether they're romantic relationships, friendships, encounters... there's always a lesson to be learned from them.

When I was younger - it might be a romantic idea - I always thought I might go crazy.

I'm always trying to perfect the romantic comedy, though.

I would have loved to do 'Alice in Wonderland.' Being a 'Bond' girl would always be fun. We had a lot of action in 'Eclipse' and I'd definitely like to continue down the action road. I want to do a romantic period piece, but those are really hard to get made because they're very expensive and there's not a huge demographic.

I think I'll always be a hopeless romantic.

I'm better with my hands, and I always loved the slightly romantic idea of starting with bits of wood and being able to create something to sit on, to eat from, to store your clothes in.

I always wanted a guitar. I always wanted to be a cowboy singer because I also listened to Hank Williams, and he would always sing these neat romantic songs.

You're always close and you never get that big romantic lead.

You do your work as a photographer and everything becomes past. Words are more like thoughts; the photographer's picture is always surrounded by a kind of romantic glamor - no matter what you do, and how you twist it.

I'm always trying to reach a transcendent point, a romantic point, but reach it in a really unconventional way, a really profane way. To get to that romantic, touching, heartbreaking place, but through a lot of acts of profanity.

In the West, audiences think I am a stereotyped action star, or that I always play hitmen or killers. But in Hong Kong, I did a lot of comedy, many dramatic films, and most of all, romantic roles, lots of love stories. I was like a romance novel hero.

My father was possessed of an extraordinary romantic idealism, an unwavering belief in certain principles. He was always talking about the past. Always. Of course, it has a powerful effect on me.

If I were given a choice between two films and one was dark and explored depraved, troubled or sick aspects of our culture, I would always opt for that over the next romantic comedy.

When I was a child, the temptation to sin was always a romantic option. This romantic option led me to the cinema, a place where sin was welcome.

I always think the most romantic books or films are the ones where the romance doesn't happen, because it makes your heart ache so much watching it.

Clearly romantic comedy is my franchise genre, I don't mind saying that, it's true. I love doing them and hopefully always will do them.

I have always been very interested in the idea of loneliness and the presumption that romantic relationships are supposed to rid you of that.

I've always really been a romantic at heart, and I have always wanted kids, and I think the idea of sharing your life with the right person is amazing, actually.

For me, the performance was always playing different people. And so when I got older, was no longer the romantic leading movie star, it became more and more interesting for me, the characters I played, you know?

I've always considered myself a fairly romantic person. I believe in love and falling in love at a young age.

I think my mother has always understood what a romantic idealist I am, so she's never had trouble supporting what might be aberrant behavior to others.

I'm a romantic. The impressionists have always been my favorites. I like prettiness - beauty, or what I perceive as beauty.

I'm personally a hopeless romantic. I always have been.

I've always been sort of addicted to genre-jumping. I've never been in the mood to do the same thing I did last time. Hence, me going from 'Big Love' to romantic comedy, to period film... I can't sit still.

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I think it's one of the main negative emotional ingredients that fuels show business, because there's so much at stake and the fear of failure looms large.

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