Do you find this...distracting?

Adrian was easily distractible by wacky topics and shiny objects.

No. Don't distract me with your sexy talk.

Finnik?" I say. "Maybe some pants?"?He looks down at his legs as if noticing them for the first time. Then he whips of his hospital gown, leaving him in just is underwear. "Why? Do you find this"-he strikes a ridiculously proactive pose-"distracting?"?I can't help laughing because it's funny, and it's extra funny because Boggs looks so uncomfortable, and I'm happy because Finnik actually sounds like the guy I met at the Quarter Quell.?"I'm only human, Odair." I get in before the elevator doors close. "Sorry," I say to Boggs.?"Don't be. I thought you? handled that well," He says. "Better than my having to arrest him, anyway.

Tell you what, you let me go, and I'll ask you plenty of questions about your race. Until then, I'm slightly distracted with how this little vacation on the good ship Holy Sh*t is going to pan out for me.

There's no reason to have a plan B because it distracts from plan A.

One of the lessons that I grew up with was to always stay true to yourself and never let what somebody else says distract you from your goals. And so when I hear about negative and false attacks, I really don't invest any energy in them, because I know who I am.

If you want to write a fantasy story with Norse Gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead. Nothing's off limits. But the endless possibility of the genre is a trap. It's easy to get distracted by the glittering props available to you and forget what you're supposed to be doing: telling a good story. Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.

We are always falling in love or quarreling, looking for jobs or fearing to lose them, getting ill and recovering, following public affairs. If we let ourselves, we shall always be waiting for some distraction or other to end before we can really get down to our work. The only people who achieve much are those who want knowledge so badly that they seek it while the conditions are still unfavorable. Favorable conditions never come.

When a person can't find a deep sense of meaning, they distract themselves with pleasure.

Solitude led to retrospective thinking, and if the past is what you are trying to get away from, then constant distractions in the present are needed.

To me, at least in retrospect, the really interesting question is why dullness proves to be such a powerful impediment to attention. Why we recoil from the dull. Maybe it's because dullness is intrinsically painful; maybe that's where phrases like 'deadly dull' or 'excruciatingly dull' come from. But there might be more to it. Maybe dullness is associated with psychic pain because something that's dull or opaque fails to provide enough stimulation to distract people from some other, deeper type of pain that is always there, if only in an ambient, low-level way, and which most of us spend nearly all our time and energy trying to distract ourselves from feeling, or at least from feeling directly or with our full attention. Admittedly, the whole thing's pretty confusing, and hard to talk about abstractly?but surely something must lie behind not just Muzak in dull or tedious places any more but now also actual TV in waiting rooms, supermarkets' checkouts, airport gates, SUVs' backseats. Walkman, iPods, BlackBerries, cell phones that attach to your head. This terror of silence with nothing diverting to do. I can't think anyone really believes that today's so-called 'information society' is just about information. Everyone knows it's about something else, way down.

If the real world were a book, it would never find a publisher. Overlong, detailed to the point of distraction-and ultimately, without a major resolution.

"Ruby: ...What's so good about being 20? I call them the materialist years. The years we get distracted by all the bullshit. Then we cop on when we hit our 30s and spend those years trying to make up for the 20s. But your 40s? Those years are for enjoying it.

You know I meant it. I am human. And male. And not remotely blind. Do you want me to say it again? You are distractingly, even if-that-is-not-a-real-word pretty. You are so pretty that I bullied Clay Whitaker into drawing me a picture of you so I could look at you when you aren't around. You are so pretty that one of these days I'm going to lose a finger in my garage because I can't concentrate with you so close to me. You are so pretty that I wish you weren't so I wouldn't want to hit every guy at school who looks at you, especially my best friend.

But what is the sense in forever speculating what might have happened had such and such a moment turned out differently? One could presumably drive oneself to distraction in this way. In any case, while it is all very well to talk of 'turning points', one can surely only recognize such moments in retrospect. Naturally, when one looks back to such instances today, they may indeed take the appearance of being crucial, precious moments in one's life; but of course, at the time, this was not the impression one had. Rather, it was as though one had available a never-ending number of days, months, years in which to sort out the vagaries of one's relationship with Miss Kenton; an infinite number of further opportunities in which to remedy the effect of this or that misunderstanding. There was surely nothing to indicate at the time that such evidently small incidents would render whole dreams forever irredeemable.

When you drop a glass or a plate to the ground it makes a loud crashing sound. When a window shatters a table leg breaks or when a picture falls off the wall it makes a noise. But as for your heart when that breaks it s completely silent. You would think as it s so important it would make the loudest noise in the whole world or even have some ... Read Moresort of ceremonious sound like the gong of a cymbal or the ringing of a bell. But it s silent and you almost wish there was a noise to distract you from the pain. If there is a noise it s internal. It screams and no one can hear it but you. It screams so loud your ears ring and your head aches. It trashes around in your chest like a great white shark caught in the sea it roars like a mother bear whose cub has been taken. That s what it looks like and that s what it sounds like a trashing panicking trapped great big beast roaring like a prisoner to its own emotions. But that s the thing about love no one is untouchable.

I think if I've learned anything about friendship, it's to hang in, stay connected, fight for them, and let them fight for you. Don't walk away, don't be distracted, don't be too busy or tired, don't take them for granted. Friends are part of the glue that holds life and faith together. Powerful stuff.

I have wandered all my life and I have also traveled the difference between the two being this that we wander for distraction but we travel for fulfillment.

We wander for distraction but we travel for fulfillment.

Work is hard. Distractions are plentiful. And time is short.

The moment of drifting into thought has been so clipped by modern technology. Our lives are filled with distraction with smartphones and all the rest. People are so locked into not being present.

If we allow our self-congratulatory adoration of technology to distract us from our own contact with each other then somehow the original agenda has been lost.

Soon silence will have passed into legend. Man has turned his back on silence. Day after day he invents machines and devices that increase noise and distract humanity from the essence of life contemplation meditation.