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Racism has been for everyone like a horrible, tragic car crash, and we've all been heavily sedated from it. If we don't come into consciousness of this tragedy, there's going to be a violent awakening we don't want. The question is, can we wake up?
I'm a storyteller: the crux of the matter is to reach beauty, poetry; it doesn't matter if that is comedy or tragedy. They're the same if you reach the beauty.
The world is a crazy, beautiful, ugly complicated place, and it keeps moving on from crisis to strangeness to beauty to weirdness to tragedy. The caravan keeps moving on, and the job of the longform writer or filmmaker or radio broadcaster is to stop - is to pause - and when the caravan goes away, that's when this stuff comes.
I was a confused young girl with so much tragedy. Sometimes when you're going through stuff, the last person you're thinking exists is God. I mean, it was my confusion, the anger that was in my heart, all that drama. But thank God I know God now, okay?
I think I would cope like anyone copes with any tragedy. I'm sure I would be very upset for a while and then there would come a point where I would either have to stay in this place of darkness and anger, or I'd have to accept that it happened.
You don't have to say something directly to affect someone. You can make a piece of music without words that can capture a feeling of tragedy or struggle or anger or triumph. It's the translation of the human experience into another form.
Mum was an amazing parent and my best pal. The tragedy of it, really, was that she died from breast cancer just as I was becoming a man, aged 17, and we were just starting to speak as adults. She was snatched away, and it felt cruel. She made me laugh.
The villain in 'Call Me by Your Name' is the tragedy of love - what seems to be part of the deal you sign with someone when you experience an amazing time with them.
Everybody knows about Pearl Harbor. The thing that really fascinated me is that through this tragedy there was this amazing American heroism.
There is such a place as fairyland - but only children can find the way to it. And they do not know that it is fairyland until they have grown so old that they forget the way. One bitter day, when they seek it and cannot find it, they realize what they have lost; and that is the tragedy of life. On that day the gates of Eden are shut behind them and the age of gold is over. Henceforth they must dwell in the common light of common day. Only a few, who remain children at heart, can ever find that fair, lost path again; and blessed are they above mortals. They, and only they, can bring us tidings from that dear country where we once sojourned and from which we must evermore be exiles. The world calls them its singers and poets and artists and story-tellers; but they are just people who have never forgotten the way to fairyland.
"The tragedy of life is -
I can't see that Danish episode as an adventure, or a crisis survived, or a serious quest for anything definable. It was just another happening like today's luncheon, something I got into and got out of. And it reminds me too much of how little life changes: how, without dramatic events or high resolves, without tragedy, without even pathos, a reasonably endowed, reasonably well-intentioned man can walk through the world's great kitchen from end to end and arrive at the back door hungry.
"You can't blame her,' said Amit. 'After a life so full of tragedy anyone would become hard.'
Tragedy taints a person, and no one wants to touch that sadness, just in case it spreads.
The tragedy of my life, and curse, is that I have all this love to give and no one to give it to.
We may be brought to our knees by crippling failures, loss of loved ones, or unimaginable tragedy. Remain steadfast through the night.
Our tragedy is their beauty. Our pain is their art. The beatific bereavement that is our life captured on a canvas for all the world to see.
If tragedy never entered our lives, we wouldn't appreciate the magic.
As Hegel said, tragedy was not the conflict between right and wrong but right and right, a dilemma none of us who wanted to participate in history could escape. The major had the right to live, and I was right to kill him. Wasn't I?
It is born in mind that the tragedy of life does not lie in not reaching the goal. The tragedy of life lies in having no goal to reach.
Adolescence is the same tragedy being performed again and again. The only things that change are the stage props.
In advising the heads of state to learn from tragedy rather than perpetuate its existence Robert Kennedy excalimed, "Tragedy is a tool for the living to gain wisdom, not a guide by which to live." We have a tendency to dwell on tragedy and use it as a justification for tragic occurrences that follow,rather than parse the tragedy, taking from it important lessons and using those lessons to avoid similar tragedies.
It is the tragedy of a distinguished mind and a generous nature that have gone unappreciated in a conventional, unimaginative world. A victim of men's incomprehension of women, a symptom of women's mistrust of men.
"Some people with DID present their narratives of sadistic abuse in a quite matter-of-fact way, without perceptible affect. This may sometimes be done as a way of protecting themselves, and the listener, from the emotional impact of their experience. We have found that people describing trauma in a flat way, without feeling, are usually those who have been more chronically abused, while those with affect still have a sense of self that can observe the tragedy of betrayal and have feelings about it. In some cases, this deadpan presentation can also be the result of cult training and brainwashing. Unfortunately, when a patient describes a traumatic experience without showing any apparent emotion, it can make the listener doubt whether the patient is telling the truth.
Can you design a Rorschach test that's going to make everyone feel something every time - and that looks like a Rorschach test? It's easy to show a picture of a kitten or a car accident. The question is, how abstract can you get and still get the audience to feel something when they don't know what's happening to them?
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