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I believe that every character is a setting, a world with moving parts, and on the other hand, every setting is, in fact, a character - a living breathing thing with personality and backstory. The way stories come to life, at least for me, is when these elements commune in relationship to one another.
When grand plans for scientific and defence technologies are made, do the people in power think about the sacrifices the people in the laboratories and fields have to make?
It's a really important thing for Aboriginal people to remember how stories are told and the power of stories, and make it an important feature in our world again.
My life is storytelling. I believe in stories, in their incredible power to keep people alive, to keep the living alive, and the dead.
Anyone who has seen the auto factories in Detroit and the oil fields in Texas knows that Japan lacks the national power for a naval race with America.
I always had this non-stop drive. I had to keep sending stories out and every once in awhile I'd get something accepted or get the little trickle of positive feedback.
I think that true love, fairy tales, the positive messages of positive stories - I don't think those ever die. Sometimes we like to hide them in sarcasm or irony, but they are still there, and they still move us.
I want to write a book of poetry, as well as children's stories.
Traditional matter must be glorified, since it would be easier to listen to the re-creation of familiar stories than to quite new and unexpected things; the listeners, we must remember, needed poetry chiefly as the re-creation of tired hours.
When I was in college, I used to write little ditties and short stories and poetry for my friends. Writing a book is another thing. It is so much different from my traditional day of dirty fingernails and greasy hair and hot pans.
I started writing poetry in high school because I wanted desperately to write, but somehow, writing stories didn't appeal to me, and I loved the flow and the feel and sense of poetry, especially that of what one might call formal verse.
I'm no longer religious, but the Bible fascinates me. Hardly anyone reads it anymore, but it's got everything: it's a book of poetry, it's a book of principle, it's a book of stories, and of myths and of epic tales, a book of histories and a book of fictions, of riddles, fables, parables and allegories.
I believe that the short story is as different a form from the novel as poetry is, and the best stories seem to me to be perhaps closer in spirit to poetry than to novels.
Poetry, fiction as novels or short stories - these are autonomous as created by their authors. They should stand on their own, like pieces of furniture that should be judged as to their usefulness, elegance.
Pet lovers know that animals sometimes understand us better than we do, and the annals of human sin and desire provide plenty of stories to drive the point home.
We all know the stories about the Human Rights Act... about the illegal immigrant who cannot be deported because, and I am not making this up, he had a pet cat.
God willing, we shall come to a stage where the world looks at the Palestinian question, and Palestinian rights on Palestinian national soil, as well as the questions of the occupied Syrian and Lebanese territories. These are the bases on which peace will be built.
When I was in the Peace Corps I never made a phone call. I was in Central Africa; I didn't make a phone call for two years. I was in Uganda for another four years and I didn't make a phone call. So for six years I didn't make a phone call, but I wrote letters, I wrote short stories, I wrote books.
Our stories come from our lives and from the playwright's pen, the mind of the actor, the roles we create, the artistry of life itself and the quest for peace.
I wrote three stories on spec because I didn't have the patience to convince people I could write.
I'm kind of a good girl - and I'm not. I'm a good girl because I really believe in love, integrity, and respect. I'm a bad girl because I like to tease. I know that I have sex appeal in my deck of cards. But I like to get people thinking. That's what the stories in my music do.
The thing that makes love stories work, in my opinion, in movies and novels and country & western songs, is the feeling of longing.
When I saw 'Bully' and I was 11 or 12 years old I thought I could do this; I could make movies. Larry Clark's cinematography is very raw. It's also based on a true story. I think a lot of the movies I like are based on true stories.
You know, duality has always been a strong theme throughout 'Venom'-focused stories, whether it's in the comics or in movies, and that's something I think that Tom Hardy's played with in a lot of his work.
It is one of the defects of my character that I cannot altogether dislike anyone who makes me laugh.
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