You know, duality has always been a strong theme throughout 'Venom'-focused stories, whether it's in the comics or in movies, and that's something I think that Tom Hardy's played with in a lot of his work.

I've never made any horrible, horrible movies. If you don't ruin your reputation, you can always get work.

I love crying at romantic movies like 'The Notebook.' I'm always bawling.

By the time I got to the point where I was 'starring' in movies, and I had executives telling me what lines to say, that wasn't for me. I'm really not an actor. I'm a guy who comes out of comedy, and my impetus was always to rewrite the line to make it funnier, not to try to make somebody's precious words work.

For a number of years, I'd been around the kind of people who financed movies and the kind of people who are there to make the deals for movies. But I'd always had this naive idea that everybody wants to make movies as good as they can be, which is stupid.

America always seemed to me this foreign land that I imagined I could escape to if I needed to get away - and I think that came both from the fact that I was born there and from watching so many American movies when I was a kid.

I've been lucky to find people who want to work with me, whom I respect and like, but the truth is there aren't that many good projects out there. And we make way, way too many movies. So it's not always going to happen with every project. But I try and wait it out.

Some movies get rushed out right after you make them and I'm not always happy with that.

In movies and in television the robots are always evil. I guess I am not into the whole brooding cyberpunk dystopia thing.

The go-to reflex all over Hollywood is still likeability. I've always had a problem with it because I think I have a weird barometer in the sense that some of the characters I've cared about the most in movies are characters that are often thought of as despicable.

I always try to describe making movies like summer camp, or some holiday where you spend all day, every day with a new group of people whom you kind of love and then never see again.

I always, always meant to be on stage. I only ended up even auditioning for television and movies because I was understudying a Turgenev play on Broadway and was so broke that, when I got a mini-series, I had to take it and was so ashamed because I was such a snob.

I always loved watching old movies and I loved Marilyn Monroe and all those blondes; that hyper feminine 1950s glamour and the exaggeration of it. Then Jessica Rabbit came along and it was an exaggeration of that look and so I wanted to be even more exaggerated than that.

Those films that really speak to the primal fear that we, as human beings, have about the unknown have always intrigued me. That's the really scary thing, not the slasher, macabre movies. It's the ones that deal with the inner fear: the unknown realms and the mysticisms that are scary.

I've never wanted to be the hottest star. I always wanted to do good movies.

There's always been product placement in Bond movies.

I've always seen movies in English with Spanish subtitles. For audiences around the world, the language is less important than if it's a good film.

My husband has no desire to work with me; don't get it twisted. He gets paid a lot of money to write giant movies. He's not into humoring me with my projects. But, that being said, I did have the story credit on 'Blades of Glory,' and writing is something that I've always been interested in pursuing more.

If you look at zombie movies throughout history, they're always making adjustments. Even the idea of the virus zombies and the back-from-the-dead zombies... there's been tons of tweaks.

The independent-minded movies - it's always an uphill battle to get them made and seen. You do what you can, and go out there after and try to tell people about it, but at the end of the day, that's all you can do.

I was born to play Hercules. I have loved and honored the mythology over the years - since I was a kid. When I first broke into Hollywood, 'Hercules' was one of the movies that I - not chased, because I didn't have the power to chase anything - but always had in the back of my mind.

I just wear very nice pyjamas. When I'm at home, I love to watch movies and relax because when I'm modeling, I'm always travelling. When I'm not working I don't put much make up, but I do love nail polish for that little bit of fun colour.

I've always been optimistic. And I have a feeling that it happened because of going to all those movies with my grandmother in the '40s because there was no cynicism.

I think sport in general affects what people see in movies. I always try to explain to people in Hollywood that we have to make movies more like sport because, in sport, everything can happen and it's so much better than movies in some ways.