You know when you watch old movies, it's always the small parts you remember, the character actors who come in like a breath of fresh air.

We think craft is important, and the irony has always been that horror may be disregarded by critics, but often they are the best-made movies you're going to find in terms of craft. You can't scare people if they see the seams.

People always ask, 'Do you wanna do movies; do you wanna do other things?' But they haven't fired me from 'OLTL' yet. When that happens, I'll make that choice.

I figure you're only here for a matter of moments. Ever since I was a kid watching movies I've always wanted to make people laugh or have some sort of emotional reaction.

I've always tried to make movies that pull the audience out of their seats... I want audiences to be transported.

I definitely have found a balance. I've had so many offers in the past to do different movies or different things and I always choose tournaments over it.

In a way, the truth is that I was dreaming to do a movie in the United States just because, as a filmmaker, I always loved the idea of trying to make movies in a different culture, in a different way. It's always interesting to make a movie abroad.

What I think I'm perceived as in France is, like, I'm this leading man always doing strange movies because most of the movies I did, like 'Irreversible' or 'Brotherhood of the Wolf' and a bunch of others, and even in France, they always come out as a particular movie, not like the typical French kind of movies that people know most of the time.

My label is to play bad guys of Latin origin in American movies. I'm happy with that label. I prefer to play that than to play a city boy. The bad guy is always something very tempting for the audience.

I've always enjoyed bad guys throughout all movies.

I always say I make the movies where people go, 'Hey, I never saw it, but when I finally did, I really liked it.' People saw 'Baby Driver,' though. I was pleased with that.

Music has always been a great solace for me. It's still something that gives me far more joy than movies, I must say. I love movies, too. But somehow, music can transport you. There are so many different kinds of experiences you can have with music.

With 'Girls'... I feel like there's an impulse to try to make it look better or neater or more perfect, and when I watch theater, television, movies, it's always the imperfection I'm always more attracted to.

I believe in my privacy. I always have, and I always will. I don't think that my private life needs to be on display for me to get a better response at the box office or for me to get a better choice of movies.

I guess I was just always one of those guys who asked those fundamental questions: 'Who am I? What's this for? Why? What does this mean? Is this real?' All these pretty basic questions. I like making movies about people who are self-conscious in that way, and are trying to feel their way through the world.

I was always focussed on the modelling and succeeding in that, but now I'm completely focused on making it over in India in the movies.

I've always known that I'll have a career for the rest of my life because they'll always make movies about men, and men need women in their lives. But, when it comes to telling a woman's story, they're complex, circular, and not genre-driven.

I'm always studying actors and movies. You can never not do your homework.

Our ethos for 'Now You See Me 2' was that everything in the movie at least had the potential to be done in real life, and I'd say over 90% of it was actually done in-camera with no CGI. Of course, movies like this are always going to be bound by the rules of Hollywood, being there's going to be enhancements of CGI.

I always say horror films are great date movies. In the first twenty minutes, you're going to end up in each other's arms.

I always shoot my movies with score as certainly part of the dialogue. Music is dialogue. People don't think about it that way, but music is actually dialogue. And sometimes music is the final, finished, additional dialogue. Music can be one of the final characters in the film.

I used to always sing my way into the movies and the basketball games or whatever. I'd sing for whoever's on the door, and they'd let me in. I used to think I was Nat King Cole back in the day, you know. So I'd sing something like, 'Mona Lisa, Mona Lisa, men have named you,' and they'd let me in.

I think people like to see the lives of artists that are legends. They always go through the dark periods and I think just as humans we like to see that and them coming out of it. I love those kinds of movies.

I don't want to imitate life in movies; I want to represent it. And in that representation, you use the colors you feel, and sometimes they are fake colors. But always it's to show one emotion.