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I grew up looking at my father as to how to behave. In watching him I grasped so many things. His own temperament was of a calm person. He was very composed and I never saw anger in him. To me, that was fascinating.

My mother was the greatest mother in the world. She thought I was the greatest thing on two feet. I'd come home with a little composition I had written at school, and she'd look at it and say, 'It's wonderful! You're another Shakespeare!' I always assumed I could do anything. It really is amazing how much that has to do with your attitude.

"How anybody can compose a story by word of mouth face to face with a bored-looking secretary with a notebook is more than I can imagine. Yet many authors think nothing of saying, 'Ready, Miss Spelvin? Take dictation. Quote no comma Sir Jasper Murgatroyd comma close quotes comma said no better make it hissed Evangeline comma quote I would not marry you if you were the last person on earth period close quotes Quote well comma I'm not so the point does not arise comma close quotes replied Sir Jasper twirling his moustache cynically period And so the long day wore on period End of chapter.'

The good, the admirable reader identifies himself not with the boy or the girl in the book, but with the mind that conceived and composed that book.

Read over your compositions, and wherever you meet with a passage which you think is particularly fine, strike it out.

All my life and all my experience, the events that have befallen me, the people I have known, all my memories, dreams, fantasies, everything I have ever read, all of that has been chucked onto the compost heap, where over time it has rotted down to a dark, rich, organic mulch. The process of cellular breakdown makes it unrecognizable. Other people call it the imagination. I think of it as a compost heap. Every so often I take an idea, plant it in the compost, and wait. It feeds on the black stuff that used to be a life, takes its energy for its own. It germinates,. Takes root. Produces shoots. And so on and so forth, until one fine day I have a story, or a novel....Readers are fools. They believe all writing is autobiographical. And so it is, but not in the way they think. The writer's life needs time to rot away before it can be used to nourish a work of fiction. It must be allowed to decay.

A well-composed book is a magic carpet on which we are wafted to a world that we cannot enter in any other way.

Alone with my wine and my misery, I was convinced that life was composed of a string of "if only's" leading from one self-inflicted bungle to the next until at some point, one's final iteration of the excuse became one's final utterance, and one expired.

We are a delicate composite of mind and body.

We exist as a composite of our experiences and exposures.

Anger, temper, rage and aggression stem from weakness and fragility. Compassion, patience, calmness and composure stem from strength and confidence.

You honor yourself by acting with dignity and composure.

A poet, you see, is a light thing, and winged and holy, and cannot compose before he gets Inspirational and loses control of his senses and his reason has deserted him.

But that initial, comet-blazing-across-the-sky, Big Idea is only the beginning. Each book is composed of a mosaic of thousands of little ideas, ideas that invariably come to me at two in the morning when my alarm is set for seven.

So the next time you see a person with a compose face and a soft voice, remember that inside her mind she might be solving an equation, composing a sonnet, designing a hat. She might, that is, be deploying the powers of quiet.

If you want to concentrate deeply on some problem, and especially some piece of writing or paper-work, you should acquire a cat. Alone with the cat in the room where you work ... the cat will invariably get up on your desk and settle placidly under the desk lamp ... The cat will settle down and be serene, with a serenity that passes all understanding. And the tranquility of the cat will gradually come to affect you, sitting there at your desk, so that all the excitable qualities that impede your concentration compose themselves and give your mind back the self-command it has lost. You need not watch the cat all the time. Its presence alone is enough. The effect of a cat on your concentration is remarkable, very mysterious.

A skillful literary artist has constructed a tale. If wise, he has not fashioned his thoughts to accommodate his incidents; but having conceived, with deliberate care, a certain unique or single effect to be wrought out, he then invents as may best aid him in establishing this preconceived effect. If his very initial sentence tend not to the outbringing of this effect, then he has failed in his first step. In the whole composition there should be no words written, of which the tendency, direct or indirect, is not to the one pre-established design. And by such means, with such care and skill, a picture is at length painted which leaves in the mind of him who contemplates it with a kindred art, a sense of the fullest satisfaction. The idea of the tale has been presented unblemished because undisturbed: and this is an end unattainable by the novel. Undue brevity is just as exceptionable here as in the poem; but undue length is yet more to be avoided.

After a noticeable silence, he'd recently published a book of technically baffling poems, with line breaks so arbitrary and frequent as to be useless, arrhythmic. On the page they look like some of Charles Bukowski's skinny, chatty, muttering-stuttering antiverses. Impossibly, Mark's words make music, the faraway strains of an irresistible jazz. It's plain to any reader, within a few lines-well, go read the poems and see, Marcus Ahearn traffics with the ineffable. He makes the mind of the speaker present, in that here-and-now where the reader actually reads-that place. Such a rare thing. Samuel Beckett. Jean Follain, Ionesco-the composer Billy Strayhorn. Mark calls his process "psychic improvisation" and referred me to the painter Paul Klee; the term was Klee's. "You just get out a pen and a notebook and let your mind go long," he told me.

I began composing the next poem, the one that was to be written next. Not the last poem of those I had read, but the poem written in the head of someone who may never have existed but who had certainly written another poem nonetheless, and just never had the chance to commit it to ink and the page.

When composing a verse let there not be a hair's breath separating your mind from what you write; composition of a poem must be done in an instant, like a woodcutter felling a huge tree or a swordsman leaping at a dangerous enemy.

Poetry puts starch in your backbone so you can stand, so you can compose your life.

The last thing one discovers in composing a work is what to put first.

See, the 'small stuff' is what makes up the larger picture of our lives. Many people are like you, young man. But their perspective is distorted. They ignore 'small stuff,' claiming to have an eye on the bigger picture, never understanding that the bigger picture is composed of nothing more than-are you ready?- 'small stuff'.

There are times when I think that the ideal library is composed solely of reference books. They are like understanding friends-always ready to meet your mood, always ready to change the subject when you have had enough of this or that.

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Anything approaching the change that came over his features i have never seen before and hope to never see again. Oh, I wasn't touched. I was fascinated. It was as though a veil had been rent. I saw on that ivory face the expression of sombre pride, of ruthless power, of craven terror, of intense and hopeless despair. Did he live his life again in every detail of desire, temptation, and surrender during that Supreme moment of complete knowledge? He cried in a whisper at some image, at some vision, he cried twice, a cry that was no more than a breath.. "The Horror! The Horror!

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