I wanted to highlight that whole dreadful process in book publishing that 'nothing succeeds like success.'

I'm delighted about the track's success in the sports world but the frustrating thing is I don't think I got rich on it. The labels and publishers did very cheap deals on our songs.

While writing my first 90 books I was magazine editor publisher book publisher executive etc. so I was established in publishing. three of my seven or so books were biographies of sports stars and really opened doors for me in that area.

If you publish a scientific paper it is very hard to start a nationwide debate about something. If you do this in a movie you can start a debate. We like to create a bridge between those two worlds - film and science.

When I started in the business there was a thing called adult fantasy but nobody quite knew what it was and most publishers didn't have an adult fantasy list. They had science fiction lists which they stuck a little bit of fantasy into.

In general science journalism concerns itself with what has been published in a handful of peer-reviewed journals - Nature Cell The New England Journal of Medicine - which set the agenda.

Well - I started writing - probably in the early 60s and by say '65-'66 I had read most of the poetry that had been published - certainly in the 20 years prior to that.

Well I guess the plan was to write poetry and publish books and make a living from writing poetry. That was a pretty ambitious plan I guess.

Well I like to write poetry. I'm a published poet.

Publishing the lyric books poetry or comics of other musicians I know. That's the thing I really want to break into!

That's a wonderful change that's taken place and so most poetry today is published if not directly by the person certainly by the enterprise of the poet himself working with his friends.

So now I have a collection of poetry by Aaron Neville and I give it to people I want to share it with. I'd like to publish it someday.

I published privately a collection of my serious poetry I had written over the years. I only published 50 copies which I gave to friends in a special deluxe edition. It was ridiculously expensive but I'm glad that I did it.

I had art as a major along with English French and History. I had dance modern dance. In English I was allowed to write my own poetry which I eventually got published.

I wrote some bad poetry that I published in North African journals but even as I withdrew into this reading I also led the life of a kind of young hooligan.

Publishing a volume of verse is like dropping a rose petal down the Grand Canyon and waiting for the echo.

Music is everybody's possession. It's only publishers who think that people own it.

I enjoy about 1 out of 100 movies it's about the same proportion to books published that I care to read.

When newspapers started to publish the box office scores of movies I was horrified. Those results are totally fake because they never include the promotion budget.

I have a problem with censorship by the lawyer - by legal people by the publishing firm and I may be changing publishers. They don't seem to want to take too many risks with living people.

So the news that divorced fathers are to be denied a legal right to a relationship with their children in the long overdue review of family law published this week fills me with horror and despair.

And books that were published in much larger numbers than Selfish Little are hard to find. And publishers who wanted to publish my last few works have them stuck in limbo while new distribution ideas and legal issues and fears are blown away.

I took the process of doing as much myself as I could like a duck to water. I set up my own label and publishing etc and it was a fun learning curve two decades ago.

The future of publishing is about having connections to readers and the knowledge of what those readers want.