For thousands of years, human beings have been obsessed with beauty, truth, love, honor, altruism, courage, social relationships, art, and God. They all go together as subjective experiences, and it's a straw man to set God up as the delusion. If he is, then so is truth itself or beauty itself.

In just the same way the thousands of successive positions of a runner are contracted into one sole symbolic attitude, which our eye perceives, which art reproduces, and which becomes for everyone the image of a man who runs.

The beginning of a friendship, the fact that two people out of the thousands around them can meet and connect and become friends, seems like a kind of magic to me. But maintaining a friendship requires work. I don't mean that as a bad thing. Good art requires work as well.

I've built a network that curates interestingness. In my universe, it encompasses thousands and thousands of filters and people, each person being a filter. So it's kinda cool. Like I've created my own utopia, removing the boring stuff and showing only the amazing stuff.

Sometimes it's not always about what you can see or hear but what's under the hood of a game that's most impressive. Between those thousands and thousands of lines of code, magic happens. Sometimes the most amazing feats of gaming wizardry happen without you even noticing.

American readers are so polite; their reactions make it seem like I've received thousands of thank-you notes. It's just lovely, and amazing the things people tell you that have touched them and related to their own lives.

But once an original book has been written-and no more than one or two appear in a century-men of letters imitate it, in other words, they copy it so that hundreds of thousands of books are published on exactly the same theme, with slightly different titles and modified phraseology. This should be able to be achieved by apes, who are essentially imitators, provided, of course, that they are able to make use of language.

A book is made from a tree. It is an assemblage of flat, flexible parts (still called "leaves") imprinted with dark pigmented squiggles. One glance at it and you hear the voice of another person, perhaps someone dead for thousands of years. Across the millennia, the author is speaking, clearly and silently, inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people, citizens of distant epochs, who never knew one another. Books break the shackles of time ? proof that humans can work magic.

What an astonishing thing a book is. It's a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you're inside the mind of another person, maybe somebody dead for thousands of years. Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working magic.

YOU WILL COME ACROSS THOUSANDS OF PEOPLE IN LIFE BUT YOUR FATHER AND MOTHER WHO FORGIVE THOUSANDS OF MISTAKES WILL NEVER BE FOUND AGAIN.

At the time we were all convinced that we had to speak, write,and publish as quickly as possible and as much as possible and that this was necessary for the good of mankind. Thousands of us published and wrote in an effort to teach others, all the while disclaiming and abusing one another. Without taking note of the fact that we knew nothing, that we did not know the answer to the simplest question of life, the question of what is right and what is wrong, we all went on talking without listening to one another.

The winds are shifting. Pay attention to the sands of time. The grains of wisdom are there to guide us.

One author said "I write because I want to live a footprint in the sands of history." It's hard to live a footprint in the sands of history when giants are passing through the same sands unless you are one of the giants

But that initial, comet-blazing-across-the-sky, Big Idea is only the beginning. Each book is composed of a mosaic of thousands of little ideas, ideas that invariably come to me at two in the morning when my alarm is set for seven.

Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody's around - nobody big, I mean - except me. And I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff - I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be.

I guess, if you ever had God figured out the universe would be split in thousands of pieces and it would disappear and we who have dreamed ourselves alive would all fade away in all those splintered parts. What I mean to say is, it isn't meant for us to know anything.

Or take this girl, for example. At a meeting just outside Paris, a fifteen-year-old girl came up to me and said that she'd been to see [The Double Life of] V?ronique. She'd gone once, twice, three times and only wanted to say one thing really - that she realized that there is such a thing as a soul. She hadn't known before, but now she knew that the soul does exist. There's something very beautiful in that. It was worth making V?ronique for that girl. It was worth working for a year, sacrificing all that money, energy, time, patience, torturing yourself, killing yourself, taking thousands of decisions, so that one young girl in Paris should realize that there is such a thing as a soul. It's worth it.

All truly wise thoughts have been thought already thousands of times; but to make them truly ours, we must think them over again honestly, until they take root in our personal experience.

It was only vanity and discouragement that sometimes made me feel alone with my endless love, but now that I was taking one of the risks my heart had urged upon me I could also feel I was not alone. If endless love was a dream, then it was a dream we all shared, even more than we all shared the dream of never dying or of traveling through time, and if anything set me apart it was not my impulses but my stubbornness, my willingness to take the dream past what had been agreed upon as the reasonable limits, to declare that this dream was not a feverish trick of the mind but was an actuality at least as real as that other, thinner, more unhappy illusion we call normal life. After all, the intimations of endless love were the same now as they were thousands of years before, while normal life had changed a thousand times and in a thousand different ways. Which then, was more real?

All these angels start coming out of the boxes and everywhere, guys carrying crucifixes and stuff all over the place, and the whole bunch of them - thousands of them - singing "Come All Ye Faithful" like mad. Big deal. It's supposed to be religious as hell, I know, and very pretty and all, but I can't see anything religious or pretty, for God's sake, about a bunch of actors carrying crucifixes all over the stage. When they all finished and started going out the boxes again, you could tell they could hardly wait to get a cigarette of something. I saw it with old Sally Hayes the year before, and she kept saying how beautiful it was, the costumes and all. I said old jesus probably would've puked if he could see it.

There's something about the thousands of glittering lights, the veil of nighttime that almost makes this place beautiful, especially in the reflection of the water. It makes everything askew, disoriented. There's more truth in a ripple of water than in a clear day.

It is the natural tendency of the ignorant to believe what is not true. In order to overcome that tendency it is not sufficient to exhibit the true; it is also necessary to expose and denounce the false. To admit that the false has any standing in court, that it ought to be handled gently because millions of morons cherish it and thousands of quacks make their livings propagating it-to admit this, as the more fatuous of the reconcilers of science and religion inevitably do, is to abandon a just cause to its enemies, cravenly and without excuse.

Life is a set of thousands of dots of miracles; Connect them to create a beautiful picture

Amid the thousands of shrill voices screaming for our attention, there is but on Voice we need to hear. The voice of the Lord Jesus Christ.