I also think if you're an actor and you can improvise when you go on an audition and you can improvise you're just a genius. If you can you know take a Tide commercial and you can just say one funny line that's not in the commercial they think you're a genius.

People ask 'How does doing a film compare to doing an ad?' Well when you're doing a commercial you don't have to sell tickets. You have a captured audience. Which is actually completely rare and great it gives you a lot of freedom. When you make a film you have to do advertisements for the film.

I like the freedom of podcasting. With podcasting you can really mess around with the form and the format. You can do as much time as you like without having to pause for commercials.

Grief is a bad moon a sleeper wave. It's like having an inner combatant a saboteur who at the slightest change in the sunlight or at the first notes of a jingle for a dog food commercial will flick the memory switch bringing tears to your eyes.

I do support artists standing by their beliefs and walking with integrity. We have to find a better way to commercially exploit music while giving artists their proper respect. This cannot be done while taking their contributions for granted or trying to control the scope of their growth and power through threats and fear tactics.

The real harm of term extension comes not from these famous works. The real harm is to the works that are not famous not commercially exploited and no longer available as a result.

Nobody makes bouillabaisse from scratch. It's all a bunch of malarkey. Even the restaurants buy a commercial-grade product. I had a very famous chef tell me that.

Christmas can have a real melancholy aspect 'cause it packages itself as this idea of perfect family cohesion and love and you're always going to come up short when you measure your personal life against the idealized personal lives that are constantly thrust in our faces primarily by TV commercials.

I have a private plane. But I fly commercial when I go to environmental conferences.

I've come up through art school through painting through graphic design through advertising through TV commercials and music video. I've designed books built billboards matchbooks corporate identities. I continuously paint I've done conceptual art pictures.

Of course I did lots of what would be called graphic design now what used to be called commercial art.

I was in college and very disappointed. I majored in commercial art and interior design for three or four years. At that time it seemed the thing I really wanted to do production design just wasn't available in the U.K. so I turned to music.

Over the past 20 years I have noticed that the most flexible dynamic inquisitive minds among my students have been industrial design majors. Industrial designers are bracingly free of ideology and cant. The industrial designer is trained to be a clear-eyed observer of the commercial world - which like it or not is modern reality.

The woman I am currently crazy about was a vegetarian for a year until I started dating her. As is the case with most vegetarians she had never eaten properly prepared meat only commercially packaged or otherwise abused flesh.

When I first started acting I was about nine years old. I had never been to audition in my life and my agent sent me out. It was just a commercial for 'Harry Potter.' That was the first thing I ever went out for and I got the 'Harry Potter' commercial which was really cool but I didn't play Harry Potter.

I think some people record songs and make records a certain way to cater to radio. If you're born to make commercial music that's cool. But if you're born to not make commercial records maybe you're meant to cater to another market.

I was asked to do a test commercial shoot for an Apple product which didn't mean much to me at the time. Some music player that holds all your songs. Sounded cool to me and I never gave up an opportunity to work especially with the possibility of it turning into a national commercial. Coolest job I did in that time.

The truth is we have this idea that late night is about creativity and being cool but that's not our job. Our job is to get as many people watching the commercials in between our show. That's the reality of it.

Electronic aids particularly domestic computers will help the inner migration the opting out of reality. Reality is no longer going to be the stuff out there but the stuff inside your head. It's going to be commercial and nasty at the same time.

Even before he came to power in 1997 Gordon Brown promised to change the accounts to parliament from simple litanies of cash in and cash out to a more commercial system that took notice of the public property the departments were using. This system is known as resource accounting.

It bothers me when I hear it in a car commercial or some such. But for the most part it's better than seeing sacred music relegated to the scrap heap.

I did a lot of gasoline commercials - Hess Texaco. I was part of the family in the car the little brat in the back.

I remember when metal was something you really had to search out and now I hear it on car commercials.

Toyota was the first to put a commercial fuel cell powered car on the road and I have no doubt that Toyota will continue to be in the front lines in the development of competitive fuel cell vehicles.