When you have a president who mocks our inclusivity, who demonizes our diversity... you can't ask for patience.

When we have people elected into office that believe in conversion therapy and are trying to strip trans rights in the military and do these things that are directly attacking the LGBT community, I have no patience.

You can write ten versions of a scene, and then, on the day, discover that something in the original scene worked. It's hard on writers. Hard on actors, hard on editors, hard on me, hard on the producers, who require patience and confidence. But I can't get to the end without going through this process.

Parenting is a sensitive, controversial subject, so I say to all the mommas and the daddies of the world God bless and good luck!

In Los Angeles, parenting is a competitive sport. From Beverly Hills baby boutiques to kids' yoga classes, L.A. fuses high style, industrial-strength materialism, and parental outsourcing into our own unique version of child-rearing.

The challenging part of parenting for me is to make sure that an individual person is an individual and not some sort of cookie-cutter version of me. At the same time, I want to make sure that I impart my sense of the world as an adult.

One day I undertook a tour through the country, and the diversity and beauties of nature I met with in this charming season, expelled every gloomy and vexatious thought.

To many people, 'biodiversity' is almost synonymous with the word 'nature,' and 'nature' brings to mind steamy forests and the big creatures that dwell there. Fair enough. But biodiversity is much more than that, for it encompasses not only the diversity of species, but also the diversity within species.

If journalism is good, it is controversial, by its nature.

You can't be suspicious of a tree, or accuse a bird or a squirrel of subversion or challenge the ideology of a violet.

Versification is, indeed, indispensable for music, but rhyme, solely for rhyming's sake, most pernicious.

I'm the same kid who used to hop the trains with headphones and just go to downtown Manhattan, walk around and listen to music or walk through the city. The fame restricts that. It's a small complaint in comparison to the benefits I get from it, but the restrictive part is what I don't like - and the fact that it's not reversible.

My musical influence is really from my father. He was a DJ in college. My parents met at New York University. So he listened to, you know, Motown, and he listened to Bob Dylan. He listened to Grateful Dead and Rolling Stones, but he also listened to reggae music. And he collected vinyl.

There will always be excuses, arguments, and questions of timing when moving on difficult and controversial issues.

The sci-fi movies I grew up with, the metaphor was very rich, and they used to really mean something: David Cronenberg's films, or John Carpenter's films, or the Phil Kaufman and Don Segel versions of 'Invasion Of The Body Snatchers,' or George Romero's early zombie films.

There are millions of Americans who belong by nature in movie theaters as they belong at political rallies or in fortuneteller parlors and on the shoot-the-chutes. To these millions, the movies are a sort of boon - a gaudier version of religion.

What I think I'm perceived as in France is, like, I'm this leading man always doing strange movies because most of the movies I did, like 'Irreversible' or 'Brotherhood of the Wolf' and a bunch of others, and even in France, they always come out as a particular movie, not like the typical French kind of movies that people know most of the time.

The reality is that diversity as an overall subject has to continue to be addressed onscreen. That goes beyond having a gay superhero. There should be a black superhero, a Latino superhero and, while we're at it, we still aren't seeing nearly enough women behind the scenes and as the anchors of movies.

I just grew up watching a lot of movies. I'm attracted to this genre and that genre, this type of story, and that type of story. As I watch movies I make some version of it in my head that isn't quite what I'm seeing - taking the things I like and mixing them with stuff I've never seen before.

I like a movie that brings out many discussions. From my experience, every time I have done movies, they create this kind of situation. Like 'Irreversible,' 'The Passion of the Christ,' 'Malena'; it's so interesting. I like to explore the dark side of humanity. That's why I'm an actor.

I was going to go to a four-year college and be an anthropologist or to an art school and be an illustrator when a friend convinced me to learn photography at the University of Southern California. Little did I know it was a school that taught you how to make movies! It had never occurred to me that I'd ever have any interest in filmmaking.

The attorney general would call at 5 o'clock in the evening and say: 'Tomorrow morning we are going to try to integrate the University of Mississippi. Get us a memo on what we're likely to do, and what we can do if the governor sends the National Guard there.'

I came to the University of Chicago on the morning of January 2, 1932. I wasn't yet a graduate of high school for another few months. And that was about the low point of the Herbert Hoover/Andrew Mellon phase after October of 1929. That's quite a number of years to have inaction.

I have a chip on my shoulder I pet every morning, a constant feeling like I have something to prove. Hearing that the canon can't be diversified, there's no room for more brown faces - that fueled my fire.