I've never seen a worse situation than that of young writers in the United States. The publishing business in North America is so commercialized.

I grew up in the business since I was three years old so I've always kind of been in front of the camera and grew up in commercials and I knew that I wanted to do it no matter what I just loved it.

The sad truth is that without complex business partnerships between African elites and European traders and commercial agents the slave trade to the New World would have been impossible at least on the scale it occurred.

We're not uncomfortable with it and we've already been through enough of the music business where I'm not really worried that commercial success is going to in some way - we're already past saving you know what I mean? It's too late for us.

The best thing commercially which is the worst artistically by and large is the most successful.

I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.

I'm enamored with the art world. Anytime you look at anything that's considered artistic there's a commercial world around it: the ballet opera any kind of music. It can't exist without it.

The magic kit we developed with Idea Village is an extraordinary success in 40 000 stores across America. The TV commercial we shot for it has produced amazing results - unbelievable.

It's been amazing the number of commercials that I've done starting back in 1968. It must be 8 000.

I was always amazed about how much I could finally squeeze into a thirty second commercial.

Each year over 2 500 commercial vessels enter the Port of Hampton Roads alone so adequate funding for port security is a significant issue for those of us who live in Richmond and Hampton Roads.