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How is it that hardly any major religion has looked at science and concluded, "This is better than we thought! The Universe is much bigger than our prophets said, grander, more subtle, more elegant?" Instead they say, "No, no, no! My God is a little God, and I want him to stay that way." A religion, old or new, that stressed the magnificence of the Universe as revealed by modern science might be able to draw forth reserves of reverence and awe hardly tapped by the conventional faiths.
Or l'espace est une r?alit? qui dure : nos impressions se chassent l'une l'autre, rien ne demeure dans notre esprit, et l'on ne comprendrait pas que nous puissions ressaisir le pass? s'il ne se conservait pas en effet dans le milieu mat?riel qui nous entoure. // Now space is a reality that endures: since our impressions rush by, one after another, and leave nothing behind in the mind, we can understand how we recapture the past only by understanding how it is, in effect, preserved by our physical surroundings.
If you've a notion of what man's heart is, wouldn't you say that maybe the whole effort of man on earth to build a civilization is simply man's frantic and frightened attempt to hide himself from himself? That there is a part of man that man wants to reject? That man wants to keep from knowing what he is? That he wants to protect himself from seeing that he is something awful? And that this 'awful' part of himself might not be as awful as he thinks, but he finds it too strange and he does not know what to do with it? We talk about what to do with the atom bomb...But man's heart, his spirit is the deadliest thing in creation. Are not all cultures and civilizations just screens which men have used to divide themselves, to put between that part of themselves which they are afraid of and that part of themselves which they wish, in their deep timidity, to try to preserve? Are not all of man's efforts at order an attempt to still man's fear of himself?
"The satyr, as the Dionysiac chorist, dwells in a reality sanctioned by myth and ritual. That tragedy should begin with him, that the Dionysiac wisdom of tragedy should speak through him, is as puzzling a phenomenon as, more generally, the origin of tragedy from the chorus. Perhaps we can gain a starting point for this inquiry by claiming that the satyr, that fictive nature sprite, stands to cultured man in the same relation as Dionysian music does to civilization. Richard Wagner has said of the latter that it is absorbed by music as lamplight by daylight. In the same manner, I believe, the cultured Greek felt himself absorbed into the satyr chorus, and in the next development of Greek tragedy state and society, in fact everything that separates man from man, gave way before an overwhelming sense of unity that led back into the heart of nature. This metaphysical solace (which, I wish to say at once, all true tragedy sends us away) that, despite every phenomenal change, life is at bottom indestructibly joyful and powerful, was expressed most concretely in the chorus of satyrs, nature beings who dwell behind all civilization and preserve their identity through every change of generations and historical movement.
Civilizations are the generations of the racial soul. As family-rearing, and then writing, bound the generations together, handing down the lore of the dying to the young, so print and commerce and a thousand ways of communication may bind the civilizations together, and preserve for future cultures all that is of value for them in our own. Let us, before we die, gather up our heritage, and offer it to our children.
[On what young husbands should say to their wives:] I have taken you in my arms, and I love you, and I prefer you to my life itself. For the present life is nothing, and my most ardent dream is to spend it with you in such a way that we may be assured of not being separated in the life reserved for us... I place your love above all things, and nothing would be more bitter or painful to me than to be of a different mind than you.
If the highest aim of a captain were to preserve his ship, he would keep it in port forever.
Ignorance is bold, and knowledge is reserved
You're going to burn in a very special level of hell. A level they reserve for child molesters and people who talk at the theater.
Why am I compelled to write?... Because the world I create in the writing compensates for what the real world does not give me. By writing I put order in the world, give it a handle so I can grasp it. I write because life does not appease my appetites and anger... To become more intimate with myself and you. To discover myself, to preserve myself, to make myself, to achieve self-autonomy. To dispell the myths that I am a mad prophet or a poor suffering soul. To convince myself that I am worthy and that what I have to say is not a pile of shit... Finally I write because I'm scared of writing, but I'm more scared of not writing.
Art and life are subjective. Not everybody's gonna dig what I dig, but I reserve the right to dig it.
I had always had a little problem looking out for myself in love. I was afraid people would leave me. So I sort of clung and did everything possible to keep someone around. I didn't have a hard talk with myself about who I was keeping around. Doesn't take a rocket scientist to figure that out. I clung to people like human life preservers. I thought i'd die if someone left me. Its ironic because now I'm the one who's leaving.
So he tasted the deep pain that is reserved only for the strong, just as he had tasted for a little while the deep happiness.
Life should not be a journey to the grave with the intention of arriving safely in a pretty and well preserved body, but rather to skid in broadside in a cloud of smoke, thoroughly used up, totally worn out, and loudly proclaiming "Wow! What a Ride!
I make love with a focus and intensity that most people reserve for sleep.
I wanted to be his life preserver, the thing that would keep him afloat. Instead, he became my anchor. And I'm tired of drowning.
For a long time, she held a special place in my heart. I kept this special place just for her, like a "Reserved" sign on a quiet corner table in a restaurant. Despite the fact that I was sure I'd never see her again.
I reserve the right to love many different people at once, and to change my prince often.
There is no intensity of love or feeling that does not involve the risk of crippling hurt. It is a duty to take this risk, to love and feel without defense or reserve.
According to an ancient Sardinian legend the bodies of those who are born on Christmas Eve will never dissolve into dust but are preserved until the end of time.
It is not wealth one asks for but just enough to preserve one's dignity to work unhampered to be generous frank and independent.
Silence and reserve will give anyone a reputation for wisdom.
I like Mitt Romney as a person. I think he's a dignified person. But I have no common ground on economics. He doesn't worry about the Federal Reserve. He doesn't worry about foreign policy. He doesn't talk about civil liberties so I would have a hard time to expect him to ever invite me to campaign with him.
Further the United States is moving ahead in the development of clean coal technology. There are vast coal reserves in our country and when it is burned cleanly coal can provide a resource to supply a large amount of our energy requirements.
The lover of life makes the whole world into his family, just as the lover of the fair sex creates his from all the lovely women he has found, from those that could be found, and those who are impossible to find.
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