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Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay. I'm always irritated by people who imply that writing fiction is an escape from reality. It is a plunge into reality and it's very shocking to the system.
I have claimed that Escape is one of the main functions of fairy-stories, and since I do not disapprove of them, it is plain that I do not accept the tone of scorn or pity with which 'Escape' is now so often used. Why should a man be scorned if, finding himself in prison, he tries to get out and go home? Or if he cannot do so, he thinks and talks about other topics than jailers and prison-walls?
The life is false. It's just death reanimated. Life may spring from death, but it's tainted. There's no escape from the remains of the dead.
Then, on a blustery evening in October 2017, the worst wildfires in modern state history ignited. They ripped across Northern California, pushed by the Diablo Winds. The infernos killed 44 people and hospitalized another 192. They incinerated fabled vineyards and the working-class Santa Rosa neighborhood of Coffey Park. People died in swimming pools, in mobile home parks, in their bedrooms and their cars. A fourteen-year-old perished at the end of his family's driveway, unable to outrun the flames. PG&E was held responsible for seventeen of the twenty-one wildfires-which burned an area eight times the size of San Francisco-though the company escaped blame for the worst of the bunch.
That which allows the flow of winds, to its rhythm descends the rain, starts yet lasts beyond melodies play. It is a dance of heartbeats, it is a dance of countless journeys. It is a dance of life's spiritual escape.
The more you try to escape from your problems, the more you become entangled with them and you create new problems that are not existed in the first place. Never run away from your problems, face them
All violence is vengeance at heart; it is the regressive destination; once agapistic energies for progress collapse, creating more scapegoats to halt what cannot be truly halted until the evil sacred is overthrown again.
To escape from our submerged state, we must exercise resilience and courage beneath these pandemic waves. @reenadossauthor
No matter who we are or what we are pursuing, we will never escape the possibility of failure. Have the courage to persevere.
We must realize that no one escapes the bounds of time. The clock is ticking.
I've been strongly influenced, in technique as well as subject matter, by some of the early 20th-century book illustrators - Arthur Rackham and Edmund Dulac in particular, Burne-Jones and other Pre-Raphaelites, and the Arts-&-Crafts movement they engendered. I'm continually inspired by Rembrandt, Breughel (I've wondered whether his brilliant "Tower of Babel" had inspired Tolkien's description of Minas Tyrith), Hieronymous Bosch, Albrecht Durer, and Turner; it's not necessarily that they influence my work in any particular direction, more that their example raises my spirits, re-affirms my belief in the power of images to move and delight us, and shows me how much further I have to go, how much is possible. Having visited Venice and Florence for the first time, I am besotted with the Italian Renaissance artists - Botticelli, Bellini, da Vinci and others. Their work is calm, controlled, and yet each face and landscape contains such passion. In Botticelli's paintings, every pebble and every leaf is rendered with a religious devotion; there is reverence inherent in paying such close attention to every stone, turning painting itself into a form of worship, an act of prayer.
In the height of the gusts, in my high position, where the seas did not break, I found myself compelled to cling tightly to the rail to escape being blown away. My face was stung to severe pain by the high-driving spindrift, and I had a feeling that the wind was blowing the cobwebs out of my sleep-starved brain.
Don't let a cruel word escape your mouth. There's no greater sin than breaking a heart.
When I left Queen's my future seemed to stretch out before me like a straight road. I thought I could see along it for many a milestone. Now there is a bend in it. I don't know what lies around the bend, but I am going to believe that the best does. It has a fascination of its own, that bend, Marilla. I wonder how the road beyond it goes - what there is of green glory and soft, checkered light and shadows - what new landscapes - what new beauties - what curves and hills and valleys farther on.
"Does it hurt?" The childish question had escaped Harry's lips before he could stop it.
A garden should make you feel you've entered privileged space -- a place not just set apart but reverberant -- and it seems to me that, to achieve this, the gardener must put some kind of twist on the existing landscape, turn its prose into something nearer poetry.
Broken hearts, you can run, you can hide and perhaps the earth is big enough to believe you're safe. So maybe for a moment you have escaped but hear me, hear me well. Love will find you and it will leave nothing behind.
"Don't you know no one can escape
My brother once showed me a piece of quartz that contained, he said, some trapped water older than all the seas in our world. He held it up to my ear. 'Listen,' he said, 'life and no escape.
We are all instruments pulling the bows across our own lungs. Windmills, still startling in every storm. Have you ever seen a newborn blinking at the light? I wanna do that every day. I wanna know what the kite called itself when it got away, when it escaped into the night...
"Your soul is a chosen landscape
And to 'scape stormy days, I choose an everlasting night.
To be a poet is to have a soul so quick to discern, that no shade of quality escapes it, and so quick to feel, that discernment is but a hand playing with finely-ordered variety on the chords of emotion--a soul in which knowledge passes instantaneously into feeling, and feeling flashes back as a new organ of knowledge.
To write poetry and to commit suicide, apparently so contradictory, had really been the same, attempts at escape.
I think there can be a positive sort of futurism even in a presentist society. But I think it's a kind of futurism that envisions augmenting human ability and intellect rather than creating some artificial machine intelligence that displaces us.
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