I have visualizations where I'm living in a really cool place - probably outside of town - with a really dope studio where I can record music or film things. Just have my own mini production house. That's really the thing I'd love to end up with the most and only do gigs when I needed to and also amass a little bit of a crew around me.

New York had a big influence on me growing up and I was really part of the club scene - the Mudd Club and Studio 54. When you're living in New York you are just bombarded with style trying to figure out how to be cool and how to feel relaxed at the same time.

Well we didn't have our original drummer on our last record. And most of that album was not played as a band in the studio. It was mostly the world of computers and overdubs. There was very few things played live or worked out as a band.

One of the things I like enormously about Bob Weinstein is that that he's the only studio head I have ever known who will change his mind and say he was wrong.

No matter how many modern parts I do people still refer to me as Mrs. Costume Drama. Fight Club is a studio pic and I've done very few of those. I've got a feeling it's going to change things for me.

The earth was made so various that the mind Of desultory man studious of change And pleased with novelty might be indulged.

I would make tea for Joni Mitchell or clean her car anything to be in the studio and watch her work.

I know the history of the record business so well because I followed Billie Holiday into the record studios. It was so primitive compared to the sophisticated business today.

The business side of film has goofed up so many things but even that's changing. It happened to the music industry and now it's happening to the film studios. It's crazy what's going on. But artists should have control of their work especially if as I always say you never turn down a good idea and never take a bad idea.

I was amazed and upset by the looks I got just walking around the studio... It illuminates the ugliness and the beauty that exists within each of us and that's what this story represents to me.

Generalised anger and frustration is something that gets you in the studio and gets you to work - though it's not necessarily evident in anything that's finished.

One of the amazing things about the Internet is that the content creators are the gatekeepers. We can think of an idea and execute it quickly and we didn't have to pitch the idea to a major network or convince a studio head to sign-off on the concept.

We used to go to Studio 54 - an amazing place.

So for my studio purposes I know that I'm in my studio with technicians who've done amazing things to my board and to my power amps and I know what I can deliver out of my studio.

It's nice because success has allowed me to have a blast on stage to be in the studio with amazing people but I find it all a bit bizarre.

I mean there are some amazing storytelling being done on the small screen right now. That's what so cool about being in television right now. Studios networks are starting to throw more resources better writers more production values... and to be part of that is awesome.

I'm vulnerable to criticism. Any artist is because you work alone in your studio and until recently critics were the only way you'd get any feedback.

It's an amazing feeling to go into a studio and really be alone.

The daily act of writing remains as demanding and maddening as it was before and the pleasure you get from writing - rare but profound - remains at the true heart of the enterprise. On their best days writers all over the world are winning Pulitzers all alone in their studios with no one watching.