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I have a complex feeling about genre. I love it, but I hate it at the same time. I have the urge to make audiences thrill with the excitement of a genre, but I also try to betray and destroy the expectations placed on that genre.
I am really thankful to the audiences that they have appreciated all my songs and I have managed to touch their soul.
Empathy is much bigger than sympathy. When the character is empathised with, that means you have succeeded as an actor. So even if it's a villain, the audiences don't hate you... they understand why you have turned into a villain.
There is no point in playing safe, because the audiences love different quirks: something that is crazy and out-of-the-box. I think that's what my space is, and if you are going to have your own space in the industry, this is where I want to be.
I don't know why, but audiences are often sympathetic to thieves. Sometimes they are more sympathetic to thieves then they are to earnest people. What does that say about society?
Everything about 'UY' is new and fresh, and we are extremely happy at the response from the audiences, as most people are walking out of cinema halls with a smile on their faces.
In the West, audiences think I am a stereotyped action star, or that I always play hitmen or killers. But in Hong Kong, I did a lot of comedy, many dramatic films, and most of all, romantic roles, lots of love stories. I was like a romance novel hero.
The audiences know their actors. Didn't Shah Rukh Khan have a romantic image despite playing a dad in 'Kuch Kuch Hota Hai?'
You could argue that 'Sweeney Todd' was romantic, if you looked closely at it, but it didn't impart that to its audiences. But it's large, and it's melodramatic, and it's a style I like to work in periodically.
'Frozen' definitely isn't about a man, but about the relationship between two sisters. At different times in our lives we find ourselves either more connected to or disconnected from the people in our family, and I think audiences will really be able to relate to that.
That's one of my pet peeves, that big guys apparently don't have an I.Q. above 50 in the eyes of audiences and producers.
Apart from 'VIP' being a blockbuster movie, the various characters such as mine, the Luna bike I use in the movie, the lovable amma and appa, a pet dog named Harry Potter, the innocent brother, etc., had a huge reach among the audiences.
There are many movies that have done it very badly. The studios have gone for quick profits and audiences are feeling angry. People aren't taking the time and spending the money to do it right. I am.
Minimalism seems closest to the sophisticated storytelling of movies. Movies have really educated contemporary audiences to be the most intelligent, sophisticated audiences in history. We don't any longer need to have the relationship between one scene and the next explained. We will figure it out ourselves.
Live action movies are someone else's story. With animation, audiences can't think that. Their guards are down.
I've always seen movies in English with Spanish subtitles. For audiences around the world, the language is less important than if it's a good film.
I've always tried to make movies that pull the audience out of their seats... I want audiences to be transported.
I make movies that audiences like, that I'd want to see. That's all.
Movies are a fad. Audiences really want to see live actors on a stage.
I don't underestimate audiences' intelligence. Audiences are much brighter than media gives them credit for. When people went to a movie once a week in the 1930s and that was their only exposure to media, you were required to do a different grammar.
I feel audiences are not given enough credit for their intelligence.
Artificial Intelligence leaves no doubt that it wants its audiences to enter a realm of pure fantasy when it identifies one of the last remaining islands of civilization as New Jersey.
A lot of my humor centers on the act of telling jokes and I think this can prevent certain audiences from suspending their feeling of disbelief. It might piss a few people off, but I can't help it.
Since the goal of my programs is to show audiences how humor can both help them heal as well as deal with not-so-funny stuff, I decided to discuss the events of the previous week, the pain all of us were feeling, and how humor and some laughter might be beneficial.
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