In the late '80s, as a child, I used to shoot short films on my friend's wedding camera.

Gene Mean. He come to my wedding. He always make the Sheikie Baby look No. 1 on the promo. He know the camera zoom... it make the legend the real. Forever nobody better than the Gene Mean. I love him forever.

I'm used to being in front of camera and knowing what to think. But if you're asking me to be me, I get very self-conscious. My job isn't to be me. Being an actor, people think you can do a eulogy at a funeral, a speech at a wedding. I find all that very nerve-racking.

'Devdas' isn't a real film. It isn't in the same genre as Mira Nair's 'Monsoon Wedding,' where the camera's presence is so understated it almost disappears.

The problem with not having a camera is that one must trust the analysis of a reporter who's telling you what occurred in the courtroom. You have to take into consideration the filtering effect of that person's own biases.

I just travel the world with my backpack and my cameras and a bunch of Clif bars.

There is a part of me that still wants to go out and grab a backpack and unplug - not take a cellphone or even a camera and just get out there and experience the world and travel. I have yet to do that, but someday I hope.

You had to make a camera look like it's traveling at 300 mph, but you couldn't make it actually travel at 300 mph so you had to slow everything down and build devices to do that. So you were constantly engineering.

During prom season, I travel around the country with a 20-by-24 camera - which is logistically complicated - and photograph proms. My husband made a film of it.

I served at the Pentagon and at Fort Leavenworth - my job was video cameraman, and that allowed me to travel to places like Korea, Japan, Alaska, Germany and the Netherlands.

And then modelling, because it pays you really well and you get to travel, I was forced to get used to the idea of standing in front of a camera and having six or seven people watching me and that actually allowed me to loosen up from an acting point of view.

Wildlife film-makers I know tell me that the effort to portray what looks like an untouched ecosystem becomes harder every year. They have to choose their camera angles ever more carefully to exclude the evidence of destruction, travel further to find the Edens they depict.

I was a filmy kid. I was two when I faced the camera for the first time. My parents realised it pretty early, and I'm really thankful to them for their support and help.

I think technology has advanced so far now that there are some cameras on the market that give film a run for its money. It's all about flexibility in capturing images, and digital or film, it doesn't matter to me.

The photographs of space taken by our astronauts have been published all over the place. But the eye is a much more dynamic mechanism than any camera or pictures. It's a more exciting view in person than looking at the photographs. Of course, I personally am sick and tired of hearing people talk like that: I want to see it myself!

I've worn a chainmail suit to swim with sharks, glided over Cirencester with a James Bond-style paramotor strapped to my back, eaten hippo steaks and had a bat dive down my bra. And all the while, I had to face the camera and smile.

So many girls second-think their pose or what they're doing. And, in turn, the photos will come out really unnatural. I say to really give the camera a performance - that, and make sure you're comfortable with how you look, and give it a good smile and a filter.

If you tell Canadians that you want to interview them for a critical piece on the Canadian healthcare system, they'll put on their best trophy-wife smile for the camera and list its many accolades. Catch them on a day with their guard down in need of actual care, however, and the truth comes out.

The truth is that when Lennon is Bosephus, she is so mean to me. She can't smile because the mustache will come off. So in between takes, it's just scowling. And then when we are on camera, Bosephus treats me like a piece of meat. I'm repulsed and also attracted to it.

When I've had to edit my albums, I'll listen to it one time through, and I'll make edits. I want to remember to set up a camera to record myself listening to my set, because I don't even slightly crack a smile, I am just listening for technical details, and I look like somebody that has absolutely no sense of humor. I look insane.

On the red carpet, one tip is to suck in your cheekbones - apparently it looks better on camera. I don't know, though; I think a nice smile is best.

Kanye is so much fun. He's a wonderful person. What I love about Kim and Kanye is that I think they save their happy moments and their smiles for themselves rather than sharing everything with the public. And listen, when a camera is shoved in your face trying to take a selfie, you do not want to smile.

In case you haven't heard, my girlfriends and I have declared the summer of 2012 as the best summer ever. The best way to document said 'best summer ever' is with a good ol' disposable camera. Smile, click, move on! Nobody gets pic approval, and there's no time wasted gathering around the camera to analyze a moment that just happened.

You can always tell folks from nonfolks. Folks like to feel good, like to smile for the camera when there's a big photo opportunity for a really good cause.