It is claimed, but with what truth we cannot say, that there is a well-defined propaganda among the aliens of colour to bring about the degeneration of the white race.

Although humans see reality in colour, for me, black and white has always been connected to the image's deeper truth, to its most hidden meaning.

Given that everyone's got a voice, it's the age of the democratisation of information through digital technology. That means women can rise up, and people of colour can rise up, and these stories are much more present to us. And that's great.

There is something terribly morbid in the modern sympathy with pain. One should sympathise with the colour, the beauty, the joy of life. The less said about life's sores the better.

We had to forge an alliance of strength based not on colour but on commitment to the total abolition of apartheid and oppression; we would seek allies, of whatever colour, as long as they were totally agreed on our liberation aims.

The colour of the skin is in no way connected with strength of the mind or intellectual powers.

My new dressing goal is to make little kids and babies smile at all the bright, clashing colours I can wear at once. It makes me laugh when I catch sight of my own reflection - life is too short not have fun!

The sad truth is that mass migration, whatever the colour of the skins of those involved, upsets and worries indigenous people, especially the poorest.

My music is bejewelled, it's colourful, it's romantic, it shines.

We have to thank the members of the Romantic movement for the sober colours of suits. It was their love of the Gothic that put us in grey and black but the suit stuck.

I do not have the slightest bit of racism in me. I do not judge people with regards to the colour of their skin, their origin, or their religion. I defend them all, because I defend French people. And, of course, I defend the interests of France, the interests of French people.

When a fan buys a ticket for a cricket match or a movie, he is not worried about the colour, creed, or religion of the person sitting next to him. If you look at any actor's fan base in India, you will find that they are from different regions.

Everything is expressed through relationship. Colour can exist only through other colours, dimension through other dimensions, position through other positions that oppose them. That is why I regard relationship as the principal thing.

Poetry is not Irish or any other nationality; and when writers such as Messrs. Clarke, Farren and the late F. R. Higgins pursue Irishness as a poetic end, they are merely exploiting incidental local colour.

You have to be careful about over-politicizing the utterances of people of colour because, oftentimes, there's poetry that seeks to go beyond that narrative.

Who indeed, after pulling off the coloured glasses of prejudice and thrusting out of sight his pet projects, can help seeing the folly of these endeavours to protect men against themselves? A sad population of imbeciles would our schemers fill the world with, could their plans last.

Ill-fitted T-shirts stretched over a gut are my pet hate. And if the colour's faded - ugh.

There are no lines in nature, only areas of colour, one against another.

I could compare my music to white light which contains all colours. Only a prism can divide the colours and make them appear; this prism could be the spirit of the listener.

Although I am basically self taught, I consider Debussy my teacher - the most important elements are colour, light and shadow.

I just wear very nice pyjamas. When I'm at home, I love to watch movies and relax because when I'm modeling, I'm always travelling. When I'm not working I don't put much make up, but I do love nail polish for that little bit of fun colour.

Knowledge is dangerous when you're a person of colour. It makes you a powerful individual, and that's what 'Stay Dangerous' represents.

Inside, I've got a real purist desire and dream about the music. I like the idea of being able to carve out a kind of magical, colourful, artistic, inspirational life. And the reality just turns out to be quite different, working with the business to bring this thing you have created into the world.

On the sets of the movie 'Manto,' I found that one of the challenges of embodying real-life stories is the mixed medium of facts and imagination, and how one's collage of experiences colour ones representation on celluloid.