'That's What She Said' is not Hollywood's standard picture of women: preternaturally gorgeous, wedding obsessed, boy crazy, fashion focused, sexed up 'girl' women. These are real women, comically portrayed, who are trying to wrestle with the very expectations of womanhood that Hollywood movies set up.

I don't want to be one of those comics who says, 'Hey, what's wrong with air travel?' and stuff like that.

One of the greatest joys of doing 'Comic Book Men' - I was so thankful - was that my wife Carol was able to appear with me. Being able to share that experience with Carol was such a monumental joy for me.

I kind of just write what I like to write. I'm thankful that readers of different ages seem to connect to my stories. I don't consciously think about age demographics when I'm working on my comics.

I read a lot of comic books and any kind of thing I could find. One day, a teacher found me. She grabbed my comic book and tore it up. I was really upset, but then she brought in a pile of books from her own library. That was the best thing that ever happened to me.

I created 'Captain Underpants' when I was in the second grade. I was constantly getting in trouble for being the class clown, so my teacher sent me out into the hallway to punish me. It was there in the hall that I began drawing 'Captain Underpants'. Soon I was making my own comic books about him.

The comic novels I did when I was in my 20s had a harder edge - less sympathy for people. Or a sympathy that was harder to detect: Characters' foibles and obsessive bents were unrelenting, like caricatures.

I certainly did feel inferior. Because of class. Because of strength. Because of height. I guess if I'd been able to hit somebody in the nose, I wouldn't have been a comic.

I grew up with six brothers, and I'm from Chicago, so princesses and Barbie dolls were not around the house. It was more like sports and comic books, so getting to work for Marvel is like my version of being able to be a princess.

I was never really a nerd. I'm not really into comic books or Dungeons and Dragons or any of that kind of stuff. I was in drama class, and I'm a big movie and music buff. And I'm into sports.

When I was a kid, there was this neighborhood beer and wine store that sold old comics for a nickel a piece. I'd load up on old books whenever we went on vacation. Yeah, I have a lot of fond memories of riding in the back of the ol' station wagon and reading 'Mystery in Space' and 'Strange Adventures' as we headed up to Torch Lake.

We never respect those who amuse us, however we may smile at their comic powers.

By coincidence and not design, 'Everstar' is written and drawn by an all-female creative team, and it makes me smile to think that there may be young female readers out there, future writers and artists, who get to see that comics doesn't have to be a 'boys' club.'

Science fiction has its own history, its own legacy of what's been done, what's been superseded, what's so much part of the furniture it's practically part of the fabric now, what's become no more than a joke... and so on. It's just plain foolish, as well as comically arrogant, to ignore all this, to fail to do the most basic research.

I was raised on comic books, and I love science fiction.

For reasons probably related to the popular vision of Albert Einstein and, also, the threat posed by black holes in comic books and science fiction, our gravitational wave discoveries have had an amazing public impact.

Since it's based on my parents, it's more emotionally close to me than some of my more surreal plays. And then I like the balance of the comic and the sad. It should play as funny, but you should care about the characters and feel sad for them.

Then I abandoned comics for fine art because I had some romantic vision of being like Vincent Van Gogh Jr.

It's one thing to have a relationship, to lay your hands on it, and another to make it continue and last. That's something I haven't talked about much in my comic strips, and it's certainly something I'm interested in.

Part of me wants a bunch of jocks to go to Comic-Con and call them all dweebs so they can be like, 'Pump the brakes a little bit.' But that said, it's all positive. It's just, of course, I'm going to find some cynicism in it.

And my father was a comic. He could play any musical instrument. He loved to perform. He was a wonderfully comedic character. He had the ability to dance and sing and charm and analyze poetry.

I was 25 myself once. I also thought I knew everything. I also thought that I could give singers singing advice and comics comedy advice. When you're that age, you know it all, so I understand it. But when you're tired and you don't have patience for it, you definitely snap.

My father spent his entire early career as an illustrator for comic books: EC Comics like 'Tales from the Crypt' and 'Creepshow,' then moving on to such magazines as 'Mad' and 'Weird Science.'

This is a profession for me, but I started off as a self-publisher working on my own schedule and my own stuff before moving on to graphic novels with First Second Books, where there was definitely a schedule, but it was very different from monthly comics.