I think in conventional magazine wisdom, you need to have a redesign every decade or so.

I have a long time association with Prince jewellery and the only piece of jewellery I wore for my wedding was designed by them.

It might be a selfish choice, but I find it quite difficult to design for individuals and prefer the distance of larger schemes. It's the same reason why, as a designer, I don't do wedding dresses.

I originally thought I would be going into wedding dresses. I wanted to create gowns, especially for weddings. I liked the idea of dealing with just one color, and within that, you could design whatever you want.

With a wedding gown, I have to make sure that people fall in love with it and that the details are very specific and special. There has to be a big story behind it and a great deal of integrity when it comes to the design.

There is definitely a 'red carpet moment' to a bride's wedding day, but when designing for bridal, it is important to focus on the details that will captivate and capture the imagination of the bride - she has to fall in love with the gown.

The process of making a wedding cake is complex on its own, from designing, mis-en-place, baking, frosting, structuring, decorating, to delivering.

My wedding dress is a piece of art that I'll treasure forever. It was designed and created by Zac Posen. I gave him only the tiniest bit of direction when he started, and the end product was more beautiful than anything I could have imagined.

Not everyone can be successful selling fashion at $25,000 for a wedding outfit. Certain designers are able to do that. And there is only a certain amount of consumers who can do that. The real opportunity is in that $25 garment.

Ever since I was a little girl, I wanted Valentino to design my wedding dress. Valentino is the definition of timeless elegance. I don't think there's another couture house like it.

Hats are the epitome of Englishness, and a royal wedding is the penultimate moment for a hat designer. I'm Irish, but I am a royalist and I believe in fantasy.

I haven't made many wedding dresses. It's a dress very, very important for the girl; it's important to know the person, I believe, but at the same time it should be a shock to the person - the person should be shocked to be suddenly revealed. That's the work of a designer sometimes, to propose an ID of look.

I usually have a few coins in my pocket when I'm playing, but the one I use to mark my ball on the green is a special silver coin that my wife designed for me. It has our wedding date inscribed on it.

I'm a jewelry girl. I became with friends with designer Irene Neuwirth a few years ago. At that point, I just used to wear my wedding rings. Very low key. Now, if I could, I'd be draped from head to toe in her jewelry all the time. Everything she makes is beautiful.

Often, what makes my job so exciting is designing for the mother whose dream has been to wear one of my hats at her child's wedding. I feel as responsible for making her feel like a million dollars as I do for somebody in the public eye.

I wore one of my own designs on my wedding day.

Well, the whole story is in the book, but the short answer is that I was the first information architect in an organization that was traditionally design-oriented, and I felt I needed a tool to help me gain the trust and support of my colleagues.

Doing designs on a loom takes a lot of talent and experience, and, trust me, I won't be able to do that.

Our covering ministry is Challenge for Christ ministries, and Travel the Road was solely our mission arm, designed to expose people to what missions are, then connect them with agencies that send people out.

When you travel, remember that a foreign country is not designed to make you comfortable. It is designed to make its own people comfortable.

I'm honored and thankful to be partnering with the prestigious CFDA as one of the men's wear ambassadors for fashion week. My interest in fashion is only matched by my love for music, and I'm blessed to be given an opportunity to learn about some of my favorite designers from a firsthand look at their latest collections.

Digital technology can be a great resource, but it can also be a pernicious one, so it's how we, as a society, really study the cognitive impact of that and use evidence-based research to go after the technology designers to do a better job of dealing with the problems of memory and attention we are seeing.

The smug complacency of technology adverts disguises a pretty mixed picture, with too many people not connected, too many passive users of technologies designed for interactive, and far too much talk about empowerment but far too little action to make it happen.

We designed a number of features from the ground up, like custom display and optics technology with very high refresh rates and pixel density. We added integrated 3-D audio, a built-in microphone so you can speak to friends inside virtual worlds, and precise mechanical adjustment systems.