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On Thanksgiving Night, 1942, when I was fifteen years old, white racists burned our house to the ground.
For fifteen years, I was a teacher of youth. They were years out of the fullness and bloom of my younger manhood. They were years mingled of half breathless work, of anxious self-questionings, of planning and replanning, of disillusion, or mounting wonder.
In junior high school, I was an object of pure ridicule for my dress, withdrawal, and asocial manner. Dozens of times, I saw individuals laugh and smile more in ten to fifteen minutes than I did in all my life up to then.
But I now entered on my fifteenth year - a sad epoch in the life of a slave girl. My master began to whisper foul words in my ear. Young as I was, I could not remain ignorant of their import.
I stopped watching horror movies after I watched 'Candyman' when I was - I don't know, fifteen or something. I remember my sister rented it, 'Candyman,' and it really, really scared me. And so it was only after I found myself in a horror film that I really went back and kind of rediscovered the genre.
The writings and the recommendations of the earliest medical scientists and the new breed of clinicians between the mid-fifteenth and early seventeenth centuries were based on the supposition that sufficient study and experimentation would elucidate not only the origins of disease, but its treatment as well.
I'd marry again if I found a man who had fifteen million dollars, would sign over half to me, and guarantee that he'd be dead within a year.
I had very few friends. There was nobody I could trust. I left home when I was fifteen. I lived in Washington Square Park.
It's a funny thing... I started touring at nine or ten years old, and for the first ten, fifteen, almost twenty years of your career, you're the youngest guy on stage and the youngest guy in the room.
It took me fifteen years to discover I had no talent for writing, but I couldn't give it up because by that time I was too famous.
We are living in 1937, and our universities, I suggest, are not half-way out of the fifteenth century. We have made hardly any changes in our conception of university organization, education, graduation, for a century - for several centuries.
Resolve to edge in a little reading every day, if it is but a single sentence. If you gain fifteen minutes a day, it will make itself felt at the end of the year.
I put on fifteen pounds of muscle, so that was a lot of eating chicken and a high protein, low-carb diet. Also a lot of heavy lifting and a very different kind of training with an ex-navy SEAL guy who wanted to kill me every time I got with him. In a good way.
It's usually drawing on personal experience. I don't think I could dig deep enough trying to get into somebody else's life. Like 'Far From Me' - I wrote it about this waitress that I was dating when I was fifteen or so, and she broke up with me.
My first real job, I sold Christmas trees when I was twelve for extra money. I did that until I was fifteen. Then I bagged groceries, and I worked at the first Borders ever in Tulsa, Oklahoma.
I hope 'The Voice' has a fifteen-year run, don't get me wrong. But I come from nothing, and maybe it's the Irish in me, but my attitude is always like, 'They'll figure me out soon.'
I've been sober for two-and-a-half years, My children are happy. In August, my wife and I will celebrate our fifteenth wedding anniversary. My band is back together with a sold-out tour.
It took me fifteen years to discover that I had no talent for writing, but I couldn't give it up because by that time I was too famous.
In the ordinary jumble of my literary drawer, I sometimes find texts I wrote ten, fifteen, or even more years ago. And many of them seem to me written by a stranger: I simply do not recognize myself in them. There was a person who wrote them, and it was I. I experienced them, but it was in another life, from which I just woke up, as if from someone else's dream.
Be brave. Even if you're not, pretend to be. No one can tell the difference. Don't allow the phone to interrupt important moments. It's there for your convenience, not the callers. Don't be afraid to go out on a limb. That's where the fruit is. Don't burn bridges. You'll be surprised how many times you have to cross the same river. Don't forget, a person's greatest emotional need is to feel appreciated. Don't major in minor things. Don't say you don't have enough time. You have exactly the same number of hours per day that were given to Pasteur, Michaelangelo, Mother Teresa, Helen Keller, Leonardo Da Vinci, Thomas Jefferson, and Albert Einstein. Don't spread yourself too thin. Learn to say no politely and quickly. Don't use time or words carelessly. Neither can be retrieved. Don't waste time grieving over past mistakes Learn from them and move on. Every person needs to have their moment in the sun, when they raise their arms in victory, knowing that on this day, at his hour, they were at their very best. Get your priorities straight. No one ever said on his death bed, 'Gee, if I'd only spent more time at the office'. Give people a second chance, but not a third. Judge your success by the degree that you're enjoying peace, health and love. Learn to listen. Opportunity sometimes knocks very softly. Leave everything a little better than you found it. Live your life as an exclamation, not an explanation. Loosen up. Relax. Except for rare life and death matters, nothing is as important as it first seems. Never cut what can be untied. Never overestimate your power to change others. Never underestimate your power to change yourself. Remember that overnight success usually takes about fifteen years. Remember that winners do what losers don't want to do. Seek opportunity, not security. A boat in harbor is safe, but in time its bottom will rot out. Spend less time worrying who's right, more time deciding what's right. Stop blaming others. Take responsibility for every area of your life. Success is getting what you want. Happiness is liking what you get. The importance of winning is not what we get from it, but what we become because of it. When facing a difficult task, act as though it's impossible to fail.
The gotta, as in: "I think I'll stay up another fifteen-twenty minutes, honey, I gotta see how this chapter comes out." Even though the guy who says it spent the day at work thinking about getting laid and knows the odds are good his wife is going to be asleep when he finally gets up to the bedroom. The gotta, as in: "I know I should be starting supper now - he'll be mad if it's TV dinners again - but I gotta see how this ends." I gotta know will she live. I gotta know will he catch the shitheel who killed his father. I gotta know if she finds out her best friend's screwing her husband. The gotta. Nasty as a hand-job in a sleazy bar, fine as a fuck from the world's most talented call-girl. Oh boy it was bad and oh boy it was good and oh boy in the end it didn't matter how rude it was or how crude it was because in the end it was just like the Jacksons said on that record - don't stop til you get enough.
Writing is something that you don't know how to do. You sit down and it's something that happens, or it may not happen. So, how can you teach anybody how to write? It's beyond me, because you yourself don't even know if you're going to be able to. I'm always worried, well, you know, every time I go upstairs with my wine bottle. Sometimes I'll sit at that typewriter for fifteen minutes, you know. I don't go up there to write. The typewriter's up there. If it doesn't start moving, I say, well this could be the night that I hit the dust.
Or take this girl, for example. At a meeting just outside Paris, a fifteen-year-old girl came up to me and said that she'd been to see [The Double Life of] V?ronique. She'd gone once, twice, three times and only wanted to say one thing really - that she realized that there is such a thing as a soul. She hadn't known before, but now she knew that the soul does exist. There's something very beautiful in that. It was worth making V?ronique for that girl. It was worth working for a year, sacrificing all that money, energy, time, patience, torturing yourself, killing yourself, taking thousands of decisions, so that one young girl in Paris should realize that there is such a thing as a soul. It's worth it.
"I never liked jazz music because jazz music doesn't resolve. But I was outside the Bagdad Theater in Portland one night when I saw a man playing the saxophone. I stood there for fifteen minutes, and he never opened his eyes.
What can we put into the hands of people under oppressive regimes to help them? For me a big part of it is information knowledge - the ability to defeat propaganda by understanding it.
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