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Through a long and painful process, I've learned that happiness is an inside job - not based on anything or anyone in the outer material world. I've become a different and better person - not perfect, but still a work in progress.
The philosophical point is that our happiness and wellbeing is not based on incomes rising. This is not just the wisdom of sages but of ordinary people. Prosperity is more social and psychological: it's about identification, affiliation, participation in society and a sense of purpose.
There is this difference between happiness and wisdom: he that thinks himself the happiest man, really is so; but he that thinks himself the wisest, is generally the greatest fool.
Wisdom is the supreme part of happiness.
Happiness is spiritual, born of truth and love. It is unselfish; therefore it cannot exist alone, but requires all mankind to share it.
Truth is a deep kindness that teaches us to be content in our everyday life and share with the people the same happiness.
My father, my grandfather, the wrestling business, the WWE in particular, has really given me everything. A lot of happiness, my kids are taken care of, my wife is happy, they get to travel. A lot of pluses come with it; the Hall Of Fame would just be the cherry on top.
Ultimately, I want to be a good person and spread happiness through my acting. If I don't forget to be appreciative and thankful, then that would be the most important thing that I'll ever achieve.
According to your sympathy, you will take pleasure in your own happiness or in the happiness of other people; but it is always your own happiness you seek.
There is no greater sorrow than to recall happiness in times of misery.
Happiness is beneficial for the body, but it is grief that develops the powers of the mind.
I try to live my life with happiness and with a smile on my face. I try to do my best.
Yes, people used to recognise me even during the initial days of my career as I am an actor. But now they have started approaching me with a smile and share their happiness with me. This change is all because of my humorous roles.
Even as a Miss World, you have to roleplay sometimes. When you look at some people, you feel like breaking down but you've to smile and spread happiness. So of course, I know I am a good actor.
I like to smile. I try to bring happiness on and off the pitch. I don't understand how you can play football without joy.
I wouldn't say money can buy happiness. Happiness starts with yourself. Money can buy a smile, though.
Obviously, there will be different character traits in the dressing room, but I'm there to bring happiness and a smile.
I wanted Jesus in 'A.D.' to be very, very, very human - to have those qualities of vulnerability and doubt and pain and sadness and loneliness. Once the resurrection happens and we see that Jesus has risen, it's almost complete, right? It's all about the joy and the smile and the happiness and the closeness to the disciples.
I don't know why my smile has become a signature pose. I think it's a nice change. I think people want to see happiness, so a smile is what can bring that. I didn't make it my trademark on purpose.
'm really proud of 'Sad, Sad World' because it manages to state a very complex paradox of an emotion that I experienced when I had children, which is this great happiness and this great intensity, but with that intensity comes a deeper understanding of the world.
Musical compositions can be very sad - Chopin - but you have the pleasure of this sadness. The cheap consolation is: you will be happy. The higher consolation is the pleasure and recognition of your unhappiness, the pleasure of having recognised that fate, destiny and life are such as they are and so you reach a higher form of consciousness.
We've got people looking at our seamy side and our sad side a lot of the time because that's easier. It's much more difficult to make a film about happiness with lots of jokes in it.
Finding love is a fixation now, and that's because although romantic love can sometimes cause a lot of suffering, it can also give people peaks of happiness that come very close to our ideal of 'the happy state.'
My books are love stories at core, really. But I am interested in manifestations of love beyond the traditional romantic notion. In fact, I seem not particularly inclined to write romantic love as a narrative motive or as an easy source of happiness for my characters.
One of the interesting things about having little musical knowledge is that you generate surprising results sometimes you move to places you wouldn't if you knew better.
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