I just filmed a movie with my boyfriend, an indie film called 'Conception.' And it's kind of like an R-rated version of 'Valentine's Day.' So it's like all about eight couples, and me and my boyfriend play one of them together. And that was a lot of fun.

I am thankful that I played the game at a time when the West Indies climbed to heights that have never been repeated.

I was the female lead in a romantic comedy. It's a little indie film that we shot in China called 'America Town,' starring Daniel Henney and Bill Paxton. I actually had to speak Chinese in the film. It was funny because I found out I was doing the film and then a week later, I was in Shanghai.

I have a little bit of a pet peeve about how the middle class is depicted in movies. I feel like they tend to be either depicted in a very sentimental way, where everybody has a heart of gold except for the villains you're supposed to hiss at, or there's a sort of indie-style version... When it's done well, it's brilliant, it's 'Blue Velvet.'

As an actor, the ambition is to play interesting characters. And in the indie genre world, the budgets are low. That allows me, as an actor, not to have a financial value behind my name, to justify me being in these bigger parts for these types of movies.

For the execution of the voyage to the Indies, I did not make use of intelligence, mathematics or maps.

For me, I always have looked at 'indie' as a term of 'independence.' Never associated a sonic gesture with that in the same way that pop music has always meant 'popular' to me; you know, it didn't define a sound.

I hope people describe my music as lyrically driven, cross genre. Kind of alternative, kind of indie, kind of rap, kind of everything.

Today, the world is so awash in sugar - it is such a staple of the modern diet, associated with all that is cheap and unhealthy - that it's hard to believe things were once exactly the opposite. The West Indies were colonized in a world where sugar was seen as a scarce, luxurious, and profoundly health-giving substance.

If you are a superstar, or whatever you want to call yourself, a person who's had outrageous success, and you decide to go indie and tell the record companies to screw themselves? That takes a certain amount of courage. And bullheadedness, really.

I remember in 2016 when I got signed to my record label Good Soldier, which is a very small indie label. They took a big risk on me because ballads were the furthest thing from cool at the time.

There's an audience out there for all these different types of things. Whether it's comedy, motion-picture drama, family movie or a cool, cutting-edge indie, it's nice to know that I can span all those different genres.

I'm well-travelled so I can see places coming up. I went to St. Croix in the West Indies at Christmas and it had been hit by a really bad tornado. Values there have gone down but I guarantee they will be up again in eight years. So I'll get in now while it's cheap as chips.

No, in Lethal Weapon I was a taxi cab driver that Mel jumps in front of the taxi and pulls me out of the car and steals the taxi. Then I did some other indie driving for some of the car sequences.

I have so many indie bands on my iPod. What I don't really understand is the attitude that if a band is unknown, they're good, and if they get fans, then you move on to the next band.

I go to Saint Barth in the French West Indies for two weeks each year. That place is amazing. Amazing people, beautiful beaches, great wine, wonderful harbors... It's incredibly romantic.

"The best discoveries always happened to the people who weren't looking for it. Columbus and America. Pinzon, who stumbled on Brazil while looking for the West Indies. Stanley happening on Victoria Falls. And you. Amy Curry, when I was least expecting her.

I'm well-travelled so I can see places coming up. I went to St. Croix in the West Indies at Christmas and it had been hit by a really bad tornado. Values there have gone down but I guarantee they will be up again in eight years. So I'll get in now while it's cheap as chips.

Ah reality TV: where opportunists delight in exposing opportunism! It's kind of like the indie music scene.

For the execution of the voyage to the Indies I did not make use of intelligence mathematics or maps.

It seems like the studios are either making giant blockbusters or really super-small indies. And the mid-level films I grew up on like 'Back to the Future' and all those John Hughes movies the studios aren't doing. It's hard to get them on their feet.

A film that I love is 'Raising Arizona' and that's funny but it's quite indie and weird and odd and quirky. I'd love to do something like that. Who knows?

People don't know where to place me. Terry Gilliam used me as a quirky cop in 'Twelve Monkeys' and then he hired me again to be an effeminate hotel clerk in 'Fear and Loathing in Las Vegas'. Another time I was shooting this indie film 'The Souler Opposite' and six days a week I'm playing this big puppy dog then I come to the 'NYPD Blue' set and become this scumbag.

In the old days a TV sync was perceived as not so cool or whittling away at your indie cred. Now it's seen as much more of an opportunity than a sellout as a way to find fans who wouldn't have ordinarily come across their genre of music.