The perceived wisdom is that people do not go in large numbers to black-and-white movies anymore - which is a great shame, but I'd love to make a black-and-white movie one day.

As great as Ed is, the wisdom out here is that he can't carry a movie. They'll pay him $3 million to be the second banana in Julia Roberts things. But they won't put up $3 million for an Ed Harris movie.

I have confidence in my manhood to be able to cry at a movie or at a wedding, too.

I feel like most movies about female friends derive their conflict from an extension of the high school movie rivalries, or there's some petty grievance: a competition over a guy or a wedding date or something. And I don't relate to any of that.

I love going to weddings. I love movie scenes of weddings. Even, like, TV-show weddings - I cry at every wedding.

When I was little, I watched a lot of Disney movies - so I always imagined a big fairytale wedding as a kid. But when marriage became real, I felt an intimate wedding with close family and friends would be better.

'That's What She Said' is not Hollywood's standard picture of women: preternaturally gorgeous, wedding obsessed, boy crazy, fashion focused, sexed up 'girl' women. These are real women, comically portrayed, who are trying to wrestle with the very expectations of womanhood that Hollywood movies set up.

I thought I was attractive when I shot 'My Big Fat Greek Wedding.' Studio executives and movie reviewers let me know I had a confidence in my looks that was not shared by them.

I just wrapped this movie called 'The Wedding Crashers' which was a pretty big break for me.

I thought I was attractive when I shot 'My Big Fat Greek Wedding.' Studio executives and movie reviewers let me know I had a confidence in my looks that was not shared by them. In other words, they labeled me with words like overweight, unattractive, unappealing.

I just filmed a movie with my boyfriend, an indie film called 'Conception.' And it's kind of like an R-rated version of 'Valentine's Day.' So it's like all about eight couples, and me and my boyfriend play one of them together. And that was a lot of fun.

That's a great feeling to know that I'm going into a project that I have no idea what will become of that movie, but I really trust Ang Lee. And I really trusted Ron. It's just really nice to work with people that you feel that way about.

When I cast someone in a movie, I have to absolutely trust who they are as a human being. Trust is the intangible of moviemaking.

It is really hard when you spend your life living out of a suitcase. But it really does weed out superficial people - if someone is still with you after the second movie, then they're probably a good one! I like to trust people in general - it's the southern girl in me.

Unlike some of the time-travel movies I love, like 'Primer' or '12 Monkeys,' 'Looper' is not about time travel. It's about this situation that time travel creates and the people dealing with that situation. So narratively, the big challenge was to have time travel get out of the way.

I want to take piano lessons, I want to study at university, I want to travel, I want to do other parts, make another movie.

Movie acting is a great job for your twenties: You travel all over, you have affairs with people, and you throw yourself into one part and then another. It gets more challenging as you get older, and it's not just having a daughter, it's wanting to have your own life and be yourself.

American movies are often very good at mining those great underlying myths that make films robustly travel across class, age, gender, culture.

The kind of pace that you want to use in a Western - just to acknowledge the land in the distance that everyone has to travel, and the way things develop sort of slowly - it's almost the antithetical of what's currently going on in the movies, you know.

I've been very thankful in my state legislative career to have gotten support from both the MPAA and various movie studios.

I auditioned for 'Coco' when I was nine years old, and I had no idea I was auditioning for a Disney/Pixar movie. When I was 10, they told me that it was going to be a Disney/Pixar movie, and I was just mind-blown. I was so shocked and thankful that I was going to Pixar.

I'm really thankful to God, man. Like now, I'm really making a real comeback with my group. With or without a record, with or without a movie. And behind all the negative press behind this movie.

I realized this is what God has dealt me, and I should be thankful considering all that's happened to me in my life, but MS caused the movies to stop - stop dead - and I miss it.

Cinema became what it is today when technology allowed movie directors and actors to develop emotion. You can see into the eyes of the actors and know when they are going to cry.