Most people think the character I do onstage is the way I am offstage, but I'm just a regular guy who spends time with his family and who turns on the television and watches a lot of sports.

It's sort of a feeling of power onstage. It's really the ability to make people smile, or just to turn them one way or another for that duration of time, and for it to have some effect later on. I don't really think it's power... it's the goodness.

When onstage, I always try to take my audience through as many emotions as I possibly can. I want them to go from laughter to tears, be shocked and surprised and walk out the door with a renewed sense of themselves - and maybe a smile.

I'm not trying to be romantic. I think you can tell when people are trying to be sexy onstage. When I was doing 'All the Way,' I was really thinking about my wife. People don't know my personal experience, but they can tell it's an honest interpretation.

I'm getting to a point where everything is becoming streamlined in my life. I'm learning how to stand onstage for two hours and play in front of thousands of people as if I am completely in the moment every moment.

We weren't the Temptations, but when we came out onstage, the people always gave us a special respect because our songs were of an inspirational quality.

I love theatrics and have a huge imagination: Why would I want to sit onstage and sing a bunch of ballads back-to-back?

I remember seeing McCoy Tyner in concert, and thinking that the music was incredible, but wanting to be invited in. I figured that humor was the way of letting the audience in. I've gotten a hard time about it, but I love to be funny onstage.

Lesbian humor isn't trying to sell anything, it doesn't have to sell out. Coming out as a lesbian onstage is still a very political act; if it weren't, more women would do it.

People come up to me as I leave the stage after a performance and tell me tey saw my mother onstage with me every time I sing. I keep a sense of humor about it.

Good evening, ladies and gentleman. My name is Orson Welles. I am an actor. I am a writer. I am a producer. I am a director. I am a magician. I appear onstage and on the radio. Why are there so many of me and so few of you?

Phil Hartman was brilliant, and Dave Foley is a really funny guy. Phil Hartman was actually even funnier offstage than he was onstage because he would say nasty things. Dave Foley's very funny, very witty guy, very quick.

I specifically remember doing the musical 'Sweet Charity' at Stagedoor. I was playing Vittorio Vidal, which is a very funny part, and some other small roles. I couldn't really sing that well, but there were so many fun bits, and I just remember the tremendous adrenaline rush I felt from being onstage and hearing the audience enjoying it.

A lot of comedians are really funny onstage, but they can't do a podcast.

Usually, if I think something is really funny, I'm not gonna test it. I'll just test it when I'm onstage.

I had no desire to get up onstage and tell jokes. I prefer to stand next to really funny people.

I'm not in the business of becoming famous. And that's the advice I give to younger aspiring actors. Work onstage and do the little roles. In the end it's not important to be seen. It's important to do. There's a lot of disappointment in this business, but my family keeps me grounded.

We played in Texas about a year ago, at Emo's, the famous country and western club in Austin. And I figured, well, if I'm finally gonna die onstage, that's where it's going to be!

In real life we don't know what's going to happen next. So how can you be that way on a stage? Being alive to the possibility of not knowing exactly how everything is going to happen next - if you can find places to have that happen onstage, it can resonate with an experience of living.

I design a lot of things that I wear onstage, but I'm always looking for unique stuff. I like creative things, so anything I can find at a secondhand costume shop to a Helmut Lang store, it doesn't matter - just unique stuff.

I've always been into guitars... we want to put keyboards on, but keyboard players don't look cool onstage, they just keep their heads down. There has never been a cool keyboard player, apart from Elton John.

I never aspired to be in a band, but being onstage is a very cool feeling. It's like you're the lord of the room. It's hard to croon and run around doing big scissor kicks while also trying to play, though. I'm still mastering that.

I'm not saying I look cool, but every single time I go onstage, it is a fail if I don't feel like I'm going to pass out at least twice.

I speak onstage to try to establish some method of communication. The songs are supposed to be a way of communicating. But speech and drinks and sometimes chocolates are also a way of communicating.