It's hard to think it's important to try out as cheerleader when you're starring on Broadway. But you do kind of miss the things that I now see my children doing. I'm just happy they are not actors. The Valentine's Day dance is really important. Pitching in Little League is very important. And the medals and the scouts are really important.

I would like to host a show, something like travel or cooking or something like that, something I'm really interested in, and so I'm pitching a couple television shows.

I have a couple of go-to sneakers off the pitch. I like to have shoes that I can slip on and wear with anything. I travel often, so it's about finding those two or three pairs of shoes that can go with any outfit, whether they go with leggings or a skirt or a dress or jeans.

A major league pitching coach is a really difficult job. It takes a big commitment in terms of time, travel and workload.

I am thankful to Fenerbahce for the opportunity that they gave me and I believe that I repaid their faith with good work on the pitch.

My dog wants the entrepreneurial community to know how thankful she is for the fact that she gets to go out. She has heard more pitches than probably much of the world.

Sandy Koufax is a great teacher. He just talks about competitiveness and being aggressive - about stride length, power, how to spin the breaking ball. The way he explains pitching is simple, which is something you don't see a lot.

Every great batter works on the theory that the pitcher is more afraid of him than he is of the pitcher.

Hitting is timing. Pitching is upsetting timing.

Luis Enrique has a clear idea, and the team has understood it perfectly. He asks us to press high up the pitch, to counter quickly when the opposition attacks and try to maximise the space between the lines with the speed we have.

I spend the entire 90 minutes looking for space on the pitch. I'm always between the opposition's two holding midfielders and thinking, 'The defence is here, so I get the ball and I go there to where the space is.'

When I look at a football pitch, I suppose, yes, I see it as my canvas. I see solutions, possibilities, the space to express myself. I am always looking for ways to be creative, to gain an edge.

My foundation now has some 120 football pitches laid out for children, a lot of them immigrants. We live in a multicultural society.

I like to smile. I try to bring happiness on and off the pitch. I don't understand how you can play football without joy.

You get the best out of the girls when they're enjoying themselves, when they've got a smile on their face - they're working hard on the training pitch, but they're allowed to relax off it as well.

I have a smile on my face because I am back on the pitch.

I love playing football, being out on the pitch with a ball, and I will be a little sad when that ends.

As soon as I got out there I felt a strange relationship with the pitcher's mound. It was as if I'd been born out there. Pitching just felt like the most natural thing in the world. Striking out batters was easy.

People imagine that Netflix sprang fully formed into a global streaming giant, but Netflix might have been personalised sporting goods - or customised shampoo - or even pet food, since these were all ideas that I pitched Reed Hastings in those first months.

In bowlers' meetings we talk a lot about patience here in India. You need that more than anywhere in the world. Outfields are fast, pitches are slow, the ball gets soft. Bowlers are more crucial than batters.

The two biggest things that translate from the pitching mound to hunting and fishing are patience and perseverance. When you're on the mound, you have to take the game one pitch at a time, regardless of the score, and that approach helps when I'm in the woods or on the water as well.

The single biggest advantage a value investor has is not IQ. It's patience and waiting. Waiting for the right pitch, and waiting for many years for the right pitch.

Nowadays the rage for possession has got to such a pitch that there is nothing in the realm of nature, whether sacred or profane, out of which profit cannot be squeezed.

You may drive out nature with a pitchfork, yet she'll be constantly running back.