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Many people have their reputations as reporters and analysts because they are on television, batting around conventional wisdom. A lot of these people have never reported a story.
The problem with not having a camera is that one must trust the analysis of a reporter who's telling you what occurred in the courtroom. You have to take into consideration the filtering effect of that person's own biases.
Will some reporter, or some Republican on the Sunday shows, please ask why tax cuts raid the non-existent Social Security Trust Fund but all the Democrats' new spending doesn't? Will someone please ask that?
My degree was in education, but the idea of being a teacher lost out to being a reporter. I worked at a newspaper for a while, then went to New York and worked in PR at RCA and NBC, and at 'The United States Steel Hour,' a drama series.
To note an artist's limitations is but to define his talent. A reporter can write equally well about everything that is presented to his view, but a creative writer can do his best only with what lies within the range and character of his deepest sympathies.
And I realized that there was no sports reporter, so I started covering sporting events.
I can't remember a time when I didn't want to be a reporter. I don't know where I got the idea that it was a romantic calling.
Now that I look back on it, having retired from being a reporter, it was kind of romantic. It was a wonderful way to live one's life, just as I imagined it would be when I was 6 or 7.
Reporters thrive on the world's misfortune. For this reason they often take an indecent pleasure in events that dismay the rest of humanity.
I don't like the word 'poetry,' and I don't like poetry readings, and I usually don't like poets. I would much prefer describing myself and what I do as: I'm kind of a curator, and I'm kind of a night-owl reporter.
I spent a lot of time in the White House in the public areas where reporters are allowed to go, but I spoke to people about the private quarters as well. Some of the things I learned were small, novelistic details. For example, the fact that there were still pet stains on the carpets from the Bush cats when the Obamas moved in.
They put me on the shift where they thought I could do the least harm, midnight to eight in the morning. Although the hours were lousy, they were perfect for an apprentice reporter.
In 1977, when I became Speaker, I started meeting with TV reporters each morning when I arrived at work. Later in the morning, I would hold a news conference before the House opened. I always told the truth and almost never answered with 'no comment.'
Led by a new generation of edgy sportswriters like Lipsyte, we found new purpose in the great issues of the day - race, equal opportunity, drugs, and labor disputes. We became personality journalists, medical writers, and business reporters.
Being an independent reporter with legal knowledge fits me better than being an attorney who is representing one side or one goal.
With every book, you go back to school. You become a student. You become an investigative reporter. You spend a little time learning what it's like to live in someone else's shoes.
As a beat reporter covering the CIA and intelligence world after the terrorist attacks of 2001, I could sense that many things I couldn't see or understand were changing, expanding, getting so big they were difficult to manage.
I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject - skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge.
If the reporter has killed our imagination with his truth, he threatens our life with his lies.
By virtue of some of the ways the game is played, in terms of message discipline, in terms of access for reporters, and especially in the way that sources and subjects, especially famous subjects, treat the media, almost by default there's more news that's falling into books.
It wasn't glamorous in my day. In the regions, reporters were seen as such low life that they didn't merit their name in the Radio Times. Now people are interested in being famous. I never gave it a thought.
Fascism says what you and I experience as facts or what reporters experience as facts are irrelevant. All that matters are impressions and emotions and myths.
I believe in equality for everyone, except reporters and photographers.
It's my job as a reporter to not be about the business of making friends or enemies but just be in the tireless pursuit of truth.
I've always remembered something Sanford Meisner my acting teacher told us. When you create a character it's like making a chair except instead of making someting out of wood you make it out of yourself. That's the actor's craft - using yourself to create a character.
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