F. Lee Bailey had been an inspiration to me. It was my desire to have him behind the scenes, to rely on his great wisdom and his brainpower, but I did not feel he should be in the courtroom.

I love going to weddings. I love movie scenes of weddings. Even, like, TV-show weddings - I cry at every wedding.

With me, Bobby Fish, and Kyle O'Reilly, I know on-screen we are these brothers whose bond can't be broken, and we are this faction. I promise you, it's very real behind the scenes, too. I've known those guys for years. We travel together all the time; we talk every single day.

When we are filming, it often feels like we're flying blind. As an actor, you have no idea if your choices are right or if they work. Some scenes feel like a complete Hail Mary. Imagine you're blindfolded and cook a massive Thanksgiving feast with only new recipes - without getting to taste any of them along the way.

As for me, it is interesting to play a role that is not human; it is nice to be all powerful without fancy action scenes. But, it is not funny to play God, even on film. You don't speak much and just smile beatifically.

I was sad that Corpse Bride was so short. I would've liked to have had her around for way longer. She doesn't actually have that many scenes.

'Terrible' is not a word I would use in shooting romantic scenes with Scott Speedman.

I've done five films directed by women. I did like it. They had qualities, particularly in the romantic tenderness of scenes. I felt sometimes they were a little bit soft, but maybe they were clever to get the guys working the way they wanted them to.

I happen to know there is nothing sexy or romantic about love scenes. They are just awful to do.

I'm a fan of daytime drama; I totally get it. When we are doing scenes that are romantic or will get the audience riled up, I feel like I'm a fan in the room going, 'People are going to be so mad right now!'

I'd like to be played as a child by Natalie Wood. I'd have some romantic scenes as Audrey Hepburn and have gritty black-and-white scenes as Patricia Neal.

For, behind the scenes, halfway around the world in Mexico, were two decades of aggressive research on wheat that not only enabled Mexico to become self-sufficient with respect to wheat production but also paved the way to rapid increase in its production in other countries.

The real rulers in Washington are invisible, and exercise power from behind the scenes.

I use to watch like maybe three or four movies, five days out of the week. I was a movie buff, but I really didn't know what it was like behind the scenes, or the whole political process of it.

The 'serial kisser' tag that has been thrust on to me is a lame stereotype. It irritates me. Yes, there is sexual content in my movies, and I have never been apologetic about doing bold scenes. But it's not fair to tag me this way because that can be very stifling.

I loved being behind the scenes and finding out how they make movies.

It seems when I put together records, as Henley used to say, they're just like movies. They should have action, tension, love scenes, places to relax.

The reality is that diversity as an overall subject has to continue to be addressed onscreen. That goes beyond having a gay superhero. There should be a black superhero, a Latino superhero and, while we're at it, we still aren't seeing nearly enough women behind the scenes and as the anchors of movies.

In The Touch, the love scenes are the same as they were in The Thorn Birds or anything else I've ever written. I find a way of saying that either it was heaven or hell but in a way that still leaves room for the reader to use their own imagination.

The peculiar fascination which the South held over my imagination and my limited capital decided me in favor of Atlanta University; so about the last of September I bade farewell to the friends and scenes of my boyhood and boarded a train for the South.

The world is governed by very different personages from what is imagined by those who are not behind the scenes.

Picking my topics is sort of a process of elimination for me. Most things don't work for me. I like to cover science and unexpected things happening in labs. Also, theoretical research doesn't work for my style. I need scenes and interactions. Then, humor. I'm having the most fun when I can have fun with my work.

Poop humor is fun. If you do the toilet scenes well and commit to them, they can be really, really powerful.

I like a twisted sense of humour. On 'A History of Violence,' David Cronenberg and I would be doing the grimmest scenes and laugh a lot.