A memoir forces me to stop and remember carefully. It is an exercise in truth. In a memoir, I look at myself, my life, and the people I love the most in the mirror of the blank screen. In a memoir, feelings are more important than facts, and to write honestly, I have to confront my demons.

I just trust the director and never overanalyse the script, screenplay, etc. You are just taking a bet at the end of the day, so confidence, be it on the filmmaker or the script, is all that counts.

When I travel overseas on many occasions, I get pulled out because I may be buying a one-way ticket, I may be traveling with my sister and we have different last names. That's smart profiling. Just pulling people out one at a time when we have millions of passengers in random screenings I'm not sure is the best way to do it.

With me, Bobby Fish, and Kyle O'Reilly, I know on-screen we are these brothers whose bond can't be broken, and we are this faction. I promise you, it's very real behind the scenes, too. I've known those guys for years. We travel together all the time; we talk every single day.

I started out printing silk screen t-shirts. I sold ink pens. I worked construction. I worked at a gas station. I pumped gas. I was a mechanic for a little bit. I went into sewers, down into sewer lines. I had a lot of somewhat unpleasant gigs for a time there.

Fans love the image that they see on-screen. They simply admire you for whatever they see on TV shows without even knowing you as a person. That's such a pure thing. I'm thankful for the love they have showered on me.

I know for me like I have a reputation of being kind of tough, I have a reputation of also being the girl next door, kind of sweet but I have standards and my thing is, it's me on that screen and I don't have control over everything in this and I'm grateful and thankful.

We're so connected, kind of ever-presently, with technology now. People are carrying their phones with them and looking at the screen so much.

I was inspired by many teachers when I started my channel, Bob Ross being one of them. His voice was so soothing, almost like hypnosis. He was that great of a teacher, even the casual viewer could learn how to paint from watching his show. Growing up, I just remember him being so mesmerizing on screen.

We are raising today's children in sterile, risk-averse and highly structured environments. In so doing, we are failing to cultivate artists, pioneers and entrepreneurs, and instead cultivating a generation of children who can follow the rules in organized sports games, sit for hours in front of screens and mark bubbles on standardized tests.

It was great working with Salman. He doesn't come across as the 'bad boy of Bollywood.' He is a very generous actor. There are actors, who don't let you have your space on screen and try to steal it. But Salman is not like that.

I can't wait for summer in the city! I love all the free activities in the parks that become available to us New Yorkers. Yoga and movie screenings in Bryant Park, concerts in Central Park - there's so much more available to the New York community in the summer! And everyone just seems to smile more.

We have such a long, familiar history with Peter Falk. The minute his mug is on that screen people smile.

My favorite thing to do as a kid was pretend I was in the opening credits of a sitcom. As the theme song would play, I'd look up at the imaginary camera and smile as my name would flash on the screen.

I have nothing against younger women and older men on screen. What is sad is that so many women over 40 who have so much to give aren't being considered to play opposite men their own age or younger.

I am co-writing a screenplay now and I'm working on the rights to another story I want to do. So I plan to produce and direct. So, for me, I don't really feel that I am vulnerable to that sad baggage that comes with the business of filmmaking.

The hardest thing is at the end you have to say bye to all these people who you have worked with for so many months. It was really sad not to see them anymore. But you have the parties that you go to and you get to see them, like the premieres and the screenings.

These days young kids don't have any place to form an epic adventure. It's more often in front of the TV screen or a laptop. That's very hard on them. They're being taught daily unsocial skills. Facebook is an unsocial skill. It's so sad.

The chance to play a romantic character who kisses somebody onscreen was one of the elements that made me want to do 'The Stand.' The more you can do, the better, and I've been known as a character actor.

Although a lot of pain for a little screen time; Shaving legs, waxing eyebrows, high heels, trying to put on a bra, losing weight because women's clothes are SO revealing - Ladies you have my respect.

I think the fact that I'm so well known to be gay makes it very difficult to have a convincing relationship with a woman on screen. It wouldn't be at all difficult for me to kiss a woman - I'll kiss a frog if you like.

More and more I think of privatisation as being not just about the takeover of resources and power by corporate interests, but as the retreat of citizens to private life and private space, screened from solidarity with strangers and increasingly afraid or even unable to imagine acting in public.

Oftentimes, when we think of 3D, we think of things coming out of the screen, but actually, you've got this zero, this negative space, what they call the negative space, which is the scene, what's being filmed in the positive space of the audience. As you can have things come out, you can have all of this depth.

My films are an extension of my poetry, using the white screen like the white page to be filled with images.