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I wasn't always overweight. I was a skinny little punk of a kid with severe asthma. When I got married at the age of 22, I wore a cut-down size eight wedding gown.
They say never trust a skinny chef, but the fact is, to stay healthy when you're a chef means you have to work twice as hard.
My dance teacher will show me pictures of girls who are rhythmic gymnasts, and they are super skinny. But I don't want to be too skinny. I think that looks a little gross when you are dancing. You don't want to be a scrawny, bony thing.
A geek isn't the skinny kid with a pocket protector and acne. There can be computer geeks, video game geeks, car geeks, military geeks, and sports geeks. Being a geek just means that you're passionate about something.
I never thought I'd make the pages of 'Sports Illustrated', because I've always been skinny.
Sports nurtures dreams of achieving self confidence and masculine striving for the skinny kid watching a boxer dance around the ring with sublime ease.
The word 'geek' today does not mean what it used to mean. A geek isn't the skinny kid with a pocket protector and acne. There can be computer geeks, video game geeks, car geeks, military geeks, and sports geeks. Being a geek just means that you're passionate about something.
It's sad that the cell phone is replacing the watch as a time-telling device. I wear a vintage watch that's really skinny.
I was real skinny in high school. I was real fast and explosive. I just didn't really have a good nutrition plan; I didn't understand how important it was to be healthy. I was eating hot fries, potato chips in the morning, Capri Sun. That was like my breakfast. That changed when I got to college - I put on 20 pounds of muscle.
I grew up as a very sarcastic person. I was always the class clown, and to date girls, I had to be really funny. I was really skinny growing up. I was so thin, I had to run around in the shower to get wet. That kind of thin. So I always had to rely on humor and sarcasm.
I make 'skinny' Italian food.
I always wanted to be a teacher or wanted to do something with food. But modeling, I just never thought I could do it myself, really, ever. I still have trouble calling myself a model. I just never thought I was tall enough or skinny enough.
As a kid we moved around a fair bit as a family. It was difficult to make friends but sport helped. Once people saw you kick a football it broke down barriers. Instead of being the new skinny black kid you were the kid everyone wanted on their team.
I'm kind of naturally thin, so if I were to completely crash diet, I'd almost be too skinny, and for the VS show, you want to look strong and muscular and fit. Leading up to the show, I eat everything that I normally do, but I moderate it.
I stopped dieting on plain, boring, unsatisfying food and started eating rich, delicious meals full of flavor and, yes... fat. I got skinny on fat and realized I would never have to diet again.
I do weight training and follow strict diet. It is very important to look a certain way. I don't think being extra skinny and thin is desirable, but you have to be fit.
Honestly, Korean beauty standards are harsh. People are even putting pressure on non-celebrities to be super skinny, and the standards of thinness are just getting worse.
I was not a good-lookin' girl. I was extremely skinny. I wasn't pretty. I wasn't cool.
People in big studios are like, 'People want to see other people who are skinny and happy and amazing.' But I think, nowadays, they are realising that what sells is real people from all different backgrounds, ethnicities, cultures and size. People want to see themselves represented on screen, and it's a real cool thing for everyone.
After a noticeable silence, he'd recently published a book of technically baffling poems, with line breaks so arbitrary and frequent as to be useless, arrhythmic. On the page they look like some of Charles Bukowski's skinny, chatty, muttering-stuttering antiverses. Impossibly, Mark's words make music, the faraway strains of an irresistible jazz. It's plain to any reader, within a few lines-well, go read the poems and see, Marcus Ahearn traffics with the ineffable. He makes the mind of the speaker present, in that here-and-now where the reader actually reads-that place. Such a rare thing. Samuel Beckett. Jean Follain, Ionesco-the composer Billy Strayhorn. Mark calls his process "psychic improvisation" and referred me to the painter Paul Klee; the term was Klee's. "You just get out a pen and a notebook and let your mind go long," he told me.
I need to be casual but not too casual. Dressy but not too dressy. I need him to think I just threw on the first thing I found and that I'm not taking this too seriously or overthinking it or even that I was thinking about it at all. Because I'm not. I'm totally not thinking about him, and I don't want him to think I was thinking about him, but I don't want him to think that I'm not thinking about him, because clearly he thought about me enough to ask me out and it would be mean not to be thinking about him at all, so I need just the right amount of thinking, and I'm not sure if that means boots and a skirt or skinny jeans and ballet flats. Help!
See the exquisite contrast of the types of mind! The pragmatist clings to facts and concreteness, observes truth at its work in particular cases, and generalises. Truth, for him, becomes a class-name for all sorts of definite working-values in experience. For the rationalist it remains a pure abstraction, to the bare name of which we must defer. When the pragmatist undertakes to show in detail just why we must defer, the rationalist is unable to recognise the concretes from which his own abstraction is taken. He accuses us of denying truth; whereas we have only sought to trace exactly why people follow it and always ought to follow it. Your typical ultra-abstractions fairly shudders at concreteness: other things equal, he positively prefers the pale and spectral. If the two universes were offered, he would always choose the skinny outline rather than the rich thicket of reality. It is so much purer, clearer, nobler.
"Laurel, David? Would you like to share the joke with the rest of the class?" he asked, one hand on his skinny hip.
We fatties have a bond, dude. It's like a secret society. We got all kinds of shit you don't know about. Handshakes, special fat people dances-we got these secret fugging lairs in the center of the earth and we go down there in the middle of the night when all the skinny kids are sleeping and eat cake and friend chicken and shit. Why d'you think Hollis is still sleeping, kafir? Because we were up all night in the secret lair injecting butter frosting into our veins. ...A fatty trusts another fatty.
I never told a victim story about my imprisonment. Instead, I told a transformation story - about how prison changed my outlook, about how I saw that communication, truth, and trust are at the heart of power.
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