When we do 'Sports Illustrated,' it starts the night before. You do a St. Tropez tan that night, then baby oil gel, then body color.

I never realized before this the emotional power of some really simple, corny tropes: people with top hats, people with batons, confetti going off, how important it is to smile.

The most conventional romantic trope of all is that you put lovers under extreme pressure, where they have to make decisions that illuminate aspects of that bond.

A connection between poetry and blindness is a classical trope.

In the beginning you must subject yourself to the influence of nature. You must be able to walk firmly on the ground before you start walking on a tightrope.

I'm so interested in taking tropes from other movies and putting them on something where it doesn't belong.

When we were making 'Teddy Perkins,' we were playing with a lot of horror tropes and things you might've seen in movies before, but we get the ability to subvert expectations or get a comedic element out of a horror moment.

Skill is successfully walking a tightrope between the twin towers of New York's World Trade Center. Intelligence is not trying.

A well-developed sense of humor is the pole that adds balance to your steps as you walk the tightrope of life.

Science means constantly walking a tightrope between blind faith and curiosity; between expertise and creativity; between bias and openness; between experience and epiphany; between ambition and passion; and between arrogance and conviction - in short, between an old today and a new tomorrow.

There are so many tropes in 'Sex Education'; don't get me wrong. There are lots of formulaic things, but the reason they're in there is because they work, and we can rework them because people recognize them.

The qualities of an exceptional cook are akin to those of a successful tightrope walker: an abiding passion for the task, courage to go out on a limb and an impeccable sense of balance.

This business is a tightrope between ultimate ego and absolute devastation. You could lose. You could get knocked out. You could get in a car accident. I want to deal with the total truth of the situation. When you cross-reference the paths your life might take and modalities that might apply to you, I find I'm more at ease in a humble ground.

St. Tropez has a face glow that is amazing - you can put it on without makeup, and your skin just glows.

Life is a tightrope walk. One has to balance the do's and don'ts.

As she bends for a Kleenex in the dark, I am thinking of other girls: the girl I loved who fell in love with a lion--she lost her head over it--we just necked a lot; of the girl who fell in love with the tightrope, got addicted to getting high wired and nothing else was enough; all the beautiful, damaged women who have come through my life and I wonder what would have happened if I'd met them sooner, what they were like before they were so badly wounded. All this time I thought I'd been kissing, but maybe I'm always doing mouth-to-mouth resuscitation, kissing dead girls in hopes that the heart will start again. Where there's breath, I've heard, there's hope.

There's a thin line between genius and bottom-barrel stupidness. I hover delicately on a tightrope between the two, wondering where I'll land if I'll ever fall.

It is not merely enough to love literature if one wishes to spend one's life as a writer. It is a dangerous undertaking on the most primitive level. For, it seems to me, the act of writing with serious intent involves enormous personal risk. It entails the ongoing courage for self-discovery. It means one will walk forever on the tightrope, with each new step presenting the possiblity of learning a truth about oneself that is too terrible to bear.

An honest religious thinker is like a tightrope walker. He almost looks as though he were walking on nothing but air. His support is the slenderest imaginable. And yet it really is possible to walk on it.

Criticism - however valid or intellectually engaging - tends to get in the way of a writer who has anything personal to say. A tightrope walker may require practice, but if he starts a theory of equilibrium he will lose grace (and probably fall off).

You know how the tightrope guy at the circus wants everyone to believe his act is an art, but deep down you can see that he's really just hoping he makes it all the way across?

"I have written it before and am not ashamed to write it again. Without Wodehouse I am not sure that I would be a tenth of what I am today -- whatever that may be. In my teenage years, his writings awoke me to the possibilities of language. His rhythms, tropes, tricks and mannerisms are deep within me.

In the beginning you must subject yourself to the influence of nature. You must be able to walk firmly on the ground before you start walking on a tightrope.

I am trying to walk a tightrope trying to keep the DJ community happy while trying to spread the message about dance music to more people. That is the mission that I am on.